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TNT3 for April 2011

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  • tweakhead
  • Forum Member
Hi Everyone,
I just want to know if the TNT for April was posted already. I'm not able to download it and was wondering if it was just me or if others are facing the same problem.
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  • Rounik
  • Administrator
Sorry for the delay. It should have gone up on friday... and our tech team are work hard to get it up and ready asap.

Hope it'll be worth the wait :-)

Rounik
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  • Rounik
  • Administrator
Hi!

April's TNT3 is up, live and ready to go.

Hope you enjoy it :-)
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  • Penguin
  • Forum Member
Hi Rounik,

April's TNT3 is amazing! Thank you for the great inspiration. Now I need to think for a while about what I learned and put thought into how I can apply to my workflow.

Any Environment tip is always welcome because there are still some objects I am not familiar with.

By the way, your channel strip's first send shows "reverb," not "Bus 1" which is very helpful. But I couldn't figure out how to do. Even I name my Aux tracks as I always do, mine still shows "Bus 1." Could you tell me how to do this? Thanks.

Penguin
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  • Rounik
  • Administrator
Hi Penguin,

Thanks for your kind words! Of course I have to thank SteveH and Peter Schwartz again for inspiring me ;-)

Ah, yes... so my BUS 1 showed as Reverb because I renamed it's label:

- Open the Mixer and choose: Options > I/O Labels...

- Here you can give and short and long name to your inputs, outputs and reverbs.

(by the way these names are global - so will show up in ALL your projects unless you manually rename them again).

Hope that helps and glad you enjoyed the Mixer Snapshot Environment TNT3 :-)

btw, you can download an example of the finished snapshot environment on the TNT3 tutorial page here:
http://www.macprovideo.com/tutorial/logic304
(you must be logged in first!)

Thanks,
Rounik
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  • Penguin
  • Forum Member
Wow! I can name each bus and other tracks? And these names are global?

This is fantastic!

I have a strict bus system. I always use bus 1-10 for various reverb settings (like close, middle, far orchestral verb and vocal verb, etc.) and other effects, 20-40 for stems, and 41- for parallel compression and so on, so labeling these buses permanently saves enormously.

Thank you for this great tips.

Penguin
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  • Rounik
  • Administrator
Yes! It's pretty cool, eh!

Although you can't name regular audio and software instrument tracks this way (which wouldn't make sense as it's better to create a template)...

I wish you could have different I/O Label sets. So you could switch to different names depending on the mixer/audio interface/template you're using - but still it's a good feature to have :)

Cheers
R
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  • muses
  • Forum Member
Me too, Rounik! Now that I've been fooling around with ProTools a lot more, I certainly would love this functionality in Logic. PT's IO routing and labeling is so much better and more flexible, than Logic's. Still, could be worse, could be that Logic wouldn't let you rename anything at all.
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  • Hamish H
  • Forum Member
Hey Rounik!

Fantastic TNT, thanks very much for this. You explain the environment really clearly and the lesson recap slides are a great idea too.

More please!

Cheers
Hamish
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  • Rounik
  • Administrator
Hey Hamish!

Thanks & glad you enjoyed last month's TNT3 :-)

Best
Rounik
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  • mounir
  • Forum Member
hi Rounik
this is absolutly fantastic,congratulations for the good work and the presentation,i really enjoyed the tutorial and most of all the idea that the snapshots can be controled via iPad...
would you be nice to show us how can we do it?
thanks again
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  • Rounik
  • Administrator
Hey mounir,

Thanks for your kind words!

Well... there's a few ways to control the Mixer SnapShots...

One way (I show this in action in the first Mixer Snapshot video) is to build another cable switcher and transform the note or CC values which are routed to these objects from the Physical object in the Environment's clicks and port layer)...

basically, like in Bonus Mixer Snap Shot video use MIDI data to adjust the Cable switcher and other MIDI events to trigger the Bank Selectors, Recall and Capture buttons of all Snapshots...

OK. So I haven't gone into a step-by-step here. Sorry... but all the info is in the final video...

As to controlling it from an iPad, well, it depends which app you wish to use. Steve's videos preceding April's TNT3 edition show how to use different iPad apps to get MIDI into Logic from an iPad. Another option is to use an app like AirDisplay. This works over Wi-Fi and basically makes your iPad (or iPhone!) into a second display for your Mac. So you can use it in many ways.

There is more latency with this approach... and the iPad won't be multi-touch capable - but it does allow you to touch the buttons on your Environment window without needing to transform the MIDI messages sent from the iPad into Logic...

Let me know if you need any more help.

Thanks
Rounik

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  • mounir
  • Forum Member
hi Rounik
well thank you for answering quickly,i had to be more precise in my question.
the app i'm using is midi touch,thanks to steve's tutorials...and i was wondering if it is possible to make a layout to control snapshots (the four buttons ) and the other parameters just like you did with the capslock key
thank you again
Last Edited on May 12th 2011 @ 05:31 AM
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  • Rounik
  • Administrator
Yup!

It all depends what midi messages you are sending from MIDI Touch. e.g. let's take one example of CC 23.

And let's imagine you want to use MIDI Touch to control the "Recall" button in all Snapshots and that the recall button's input (inside the macro) is set to CC21.

NOTE: You should follow Video 072 - "Bonus - Total Recall: MIDI Controller Snapshot Fun!" before trying this out so you've already set up the inputs for the objects within your Mixer Snap Shots.

- OK. Create a Monitor and cable from any object connected from the Physical Object to this Monitor. Now when you send CC 23 you should see it appear in the Monitor's display. Call this Monitor Input Touch.

- Create a new Monitor in the Mixer layer (or wherever your Mixer SnapShots macros are)... make sure to enable it's icon mode in the Inspector. Name this monitor "To Snaps".

- Option-click on the "Input Touch" monitor's cable output and choose the "To Snaps" as the destination.

- create a transformer object and set the conditions to match the MIDI input from MIDI Touch... and the bottom row to match the Recall button's values. Set the DB2 (last box to 1)

- cable from the "To Snaps" monitor to the transformer.

- Create a new monitor (name it as desired) and cable from the transformer to this new monitor.

- finally, cable the new monitor object to each mixer snapshot.

So this should work now... You can repeat this process to map each button in the snapshot to a different MIDI message and use transformers to convert the MIDI Touch messages to match those wihtin the snapshots.

Hope this helps!
Rounik
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  • Rounik
  • Administrator
OK. Here's a more indepth response with images. It's a draft that gonna be published on the Hub (so I'll remove it from here once that article is published) on how to control a Cable Switcher in Logic's Environment. Although this is based on using any connected MIDI Controller, the same same concept should apply to MIDI Touch on your iPad...


How to Map a MIDI Controller to a Fader in Logic's Environment

In this example, I want to map a rotary fader on my MIDI Controller to remote-control a cable switcher in the Environment. This cable switcher switches between different arpeggiators. If you want more info on how to create a multi-arpeggiator Environment check out these MPV Hub Tutorials (free) here:
http://www.macprovideo.com/hub/logic-pro/creating-arpeggiated-patterns-logic-pro-part-1 and
http://www.macprovideo.com/hub/logic-pro/creating-complex-arpeggiated-patterns-logic-part-2


Step 1

Open the Environment window (Window > Environment) and navigate to your Clicks & Ports layer from the Layer menu in the top left above the Inspector.



You can see that the Physical Input's Sum port (basically the input from all external MIDI devices connected to your Mac and recognized by Logic) is connected directly to the Cable Switcher. This in turn is routed Sequencer Input (Logic) directly and via a number of Apreggiators.



The MIDI signal from the Physical Input will travel from your MIDI Controller to the Sum to the Cable Switcher where you can choose which cable (or route) it will take before reaching the Sequencer Input.




Step 2

Create a new Monitor Object (local menu: New > Monitor). We're going to use the Monitor object to see what MIDI messages are being sent from the MIDI Controller. Click and hold on the Physical Object's Sum cable output and drag the cable to the Monitor.

Now, move the rotary knob or fader on your MIDI controller. You should see MIDI messages appearing in the Monitor object.



In my case, the rotary knob is outputting CC data on Channel 1, Data Byte 1 = 7 and Data Byte 2 (value) depends on the position of the rotary knob.


Step 3

Now that we know the rotary faders MIDI value we could simply select the Cable switcher and match its input value to the CC - 1 - 7. However, while this will work great with regular environment faders and objects with a range of 0-127, in this case the Cable switcher has 6 outputs - not 128 - so its range is 0-5. We need to find a way to map the range from the rotary fader to our

Create a new Transformer object (local menu: New > Transformer). Connect the Monitor to the Transformer and the Transformer to the Cable Switcher as shown below:



And before we move on to the next step, click on the Cable Switchers name to select it. In the Inspector you'll see the Input values for the Cable Switcher.



In my case they are:
- CC (Control)
- Channel 1
- DB 1 = 20
- Range = 0-5


Step 4

So, we need to transform CC 17 to CC 20. Double-click on the Transformer object and set up the Conditions and Operations as shown in the image below. (Click on the image to see a larger version).



Make sure you've got the Mode set to Apply Operations and let non-matching events pas thru. If you filter out other events it will prevent your MIDI notes passing through this object into Logic!

I'd also recommend not to use CC values such as 7 (volume) and 10 (pan) as the Cable Switchers Input as this will potentially mess with the selected track's channel strip!


Step 5

If you've tested how this works with a rotary knob you'll notice that you'll speed through the first 6 settings (value 0-6) and be stuck on the 6th output from your cable switcher from value 7 until 127. This is far form ideal!

We're going to use the Transformer's map function to assign more than each value, between 0-5 in the cable switcher to more than one value on the rotary knob of your controller. For example, I divided 128 (total number of values outputted from my rotary fader by 6 (total number of states/values of the cable switcher). From that figure I estimated that I'd like:

- 0-21 to be mapped to Cable switchers 0 value
- 22-42 to be mapped to Cable switchers 1 value
- 43-63 to be mapped to Cable switchers 2 value... etc.

OK. Here's how to set it up. In the Transformer make sure the Operations area for the Data Byte 2 column is set to Use Map.

In the Map area each vertical bar represent one MIDI value between 0-127. By default 0 is mapped to 0, 1 mapped to 1, 2 is mapped to 2, etc. We can change the mapping and set the first 22 to 0.



I'd recommend dragging with your mouse over the map display to set everything to 0.

In the first text field (bottom left) choose 1 and set its corresponding mapped value to 0. I repeated this process until left value of 21.

Now repeat this process as needed. If you have a very steady hand you can drag to create values on the horizontal plane - or at least get an estimated value. It will take a while to do this, so once done make sure to save your project!




Conclusion

Once you've mapped the values appropriately you can close the Transformer window and test out how the knob on your MIDI controller works when controlling your Cable switcher.

Bear in mind that if you want to use buttons on your MIDI Controller to switch between different outputs of the cable switcher there's no need to use the Map and its much easier to set up!

Hope this helps!
Last Edited on May 14th 2011 @ 05:58 AM
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