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  • Jul 06, 2011
Creating Vocal Harmonies with Melodyne
  • Genre: Audio
  • Level: Beginner/Intermediate
  • Time to Complete: 5-15 minutes
  • 2 comments — Join Discussion

Preview these Studio & Recording Techniques Tutorial-Videos

Melodyne 101: Core Melodyne - Play IconMelodyne 101: Core Melodyne - Preview Video
Melodyne 201: Advanced Melodyne - Play IconMelodyne 201: Advanced Melodyne - Preview Video
Outside The Box: Vocal Production and Arranging - Play IconOutside The Box: Vocal Production and Arranging - Preview Video

Melodyne is a great tool for creating vocal harmonies, especially when you’re stuck for ideas. With Melodyne, you can test what notes work with your main vocal line. Other times you may want to create either a higher or lower vocal harmony, but your voice may not be able reach these registers. Melodyne can assist, allowing you to alter the tone and formant of the harmony to make it sound different from your voice. It's just as if there were two vocalists singing on your track.


Step 1 - Import Your Audio into Melodyne

I have created a Melodyne arrangement and have imported in my music and my main vocal. Here is the vocal and music:


And here is the vocal isolated:



As you can see in Melodyne, my main vocal is sitting around the F3-F4 range.


Step 2 - Create Your First Low Harmony

Now it’s time to create our first harmony. I want to add a lower register vocal to my main vocal to give it a fuller sound. Select the main vocal track then press Command-A to select all on the track. Then choose: Edit > Paste Special > Copy and Paste Selection to Parallel Track. This now gives you a duplicate vocal to work with. 


Double-click the audio to go into the Melodyne Audio Edit Window. Select all the audio, and go to the Edit Pitch (either from the Edit menu, or right-click to bring up the floating Edit menu and choose ‘Edit Pitch’.)


I have dropped the vocal one octave. I have also gone into the Floating Edit Window and chosen 'Edit Formant', then lowered the formant for the lower vocal to sit better with the main vocal. The tone sounds a bit unnatural but when you mix this with the main vocal, it really sits nicely.




Step 3 - Create a High Complementary Harmony

Now it’s time for the High Vocal Harmony. I want to add a higher harmony to accent only some of the main vocal line. I have copied the main vocal to another parallel track and I’ve deleted the notes that I don't want to use in that harmony. I have moved the notes up around to the D4-F4 range, and have tested what sounds right with the main vocal by soloing the main vocal and high harmony, and moving the notes around on the harmony until I get the sound I want. I've also raised the formant on the high harmony so that it fits better with the main vocal.


Here is what the high harmony sounds like after the pitch and formant editing:

Here are all the harmonies together. See how they sit quite nicely together:

And here is what the track sounds like with all the new harmonies in:


Step 4 - Conclusion

Melodyne is a great pitch shifting sound tool, which allows you to get creative with your vocal takes. Sometimes you can get vocal results you never thought were possible by tweaking a few notes, pitches and formants.

Take a look at this macProVideo.com tutorial to see what else Melodyne is capable of: http://www.macprovideo.com/tutorial/melodyne101


Preview these Studio & Recording Techniques Tutorial-Videos

Melodyne 101: Core Melodyne - Play IconMelodyne 101: Core Melodyne - Preview Video
Melodyne 201: Advanced Melodyne - Play IconMelodyne 201: Advanced Melodyne - Preview Video
Outside The Box: Vocal Production and Arranging - Play IconOutside The Box: Vocal Production and Arranging - Preview Video
Gary Hiebner

Gary Hiebner

Gary Hiebner is an enthusiastic South African Sound Designer and Apple Tech Head! Gary has been involved in the South African music industry for the last 10 years, and in this time has also been involved in the sound design and music production for many advertising agencies and media houses. Gary has been a devoted Logic and Ableton user for the last 7 years. He also dabbles in ProTools, and esoteric sound design tools, such as Max/MSP and CSound.

Comments

Jul 16, 2011
sammydave
Nice tutorial. I have Melodyne Editor, and don't see the "Edit > Paste Special > Copy and Paste Selection to Parallel Track" function. Is that only available in the bigger version?
If so, I guess duplicating the track and applying Melodyne to the second would achieve the same results...
Jul 16, 2011
Gary Hiebner
Yes, it seems it is only in Melodyne Studio
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