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  • Music Tech Tip: What is MIDI Anyway?
  • by G.W. Childs IV
  • For someone who’s been doing this a long, long time, I often forget that some of the new talent that comes into electronic music may not know certain building blocks...

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  • Jul 21, 2011
MIDI Quantization: The Best MIDI Editing Feature of them All
  • Genre: Audio
  • Level: Beginner
  • Time to Complete: 5-15 minutes
  • 0 comments — Start Discussion

Preview these Reason Tutorial-Videos

MIDI 101: MIDI Demystified - Play IconMIDI 101: MIDI Demystified - Preview Video
Pro Tools 10 105: Exploring MIDI - Play IconPro Tools 10 105: Exploring MIDI - Preview Video
Reason 6 103: Working With Midi - Play IconReason 6 103: Working With Midi - Preview Video

In my last article on MIDI, I filled you in on what MIDI is, isn’t and how it can benefit you. In this followup article, I’d like to show you a feature found in most every DAW, but especially Garageband, that can make your MIDI life much, much better.

This particular feature, as the title above gives away, is known as Quantization. And, if you’re getting in to music production on a computer... You really need to know about it.



Step 1 - Double Click Your Recorded Region

When you record MIDI in Garageband, the recorded part appears as a small colorful region with little dots in the middle of it. The dots, of course, represent notes you’ve played. 


When you double-click on a recorded region, you open up the Piano roll editor at the bottom of the Garageband interface.

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Step 2 - Enable Quantize Note Timing in Piano Roll

If you look closely at the notes that I’ve played, you’ll notice that they are inside a grid. 


The grid lines indicate proper timing, as the computer sees it. The notes, themselves, are sometimes within the grid lines, sometimes not. This is MY timing. When you play back the recorded part with my timing, it can sound good sometimes... and very bad sometimes. If I use my mouse to move over notes that are not lined up in the grid, this will fix MY timing. Though, as I mentioned earlier, having to move every note to it’s proper place in time can be an exercise in patience.

Here’s where it gets fun... Turn on 'Quantize Note Timing' over in the left hand corner of the piano roll. Notice how all of my notes are exactly on the grid lines now... Cool, eh? Let’s hear it too!



I’ve set my timing to 1/8th note, because I’m actually playing in 8th notes. I know this... But, if you’re not sure about your timing, just choose some settings and see what works. The most common settings are 8th and 16th. These are good starting places, but I always recommend experimenting. Quantization can even give you new ideas!


Conclusion

Now, you may notice that it sounds a little too tight, in some cases. This is where quantization can take a little of the humanity out of your music. In the next tutorial, I’m going to talk to you about humanising computer recorded MIDI. See you there!

There's so much more to MIDI that most of us think. Take an entertaining journey into the world of MIDI with Logic expert, MIDI maestro and successful composer, Peter Schwartz in MIDI 101 - MIDI Demystified.


Preview these Reason Tutorial-Videos

MIDI 101: MIDI Demystified - Play IconMIDI 101: MIDI Demystified - Preview Video
Pro Tools 10 105: Exploring MIDI - Play IconPro Tools 10 105: Exploring MIDI - Preview Video
Reason 6 103: Working With Midi - Play IconReason 6 103: Working With Midi - Preview Video
G.W. Childs IV

G.W. Childs IV

Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.

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