Chapter 1: Getting Started
Section 01: GETTING STARTED
01: Introduction
02: The Final Cut Pro Interface
03: Workflow Overview
04: Insert vs. Overwrite Edits
Section 02: USING THE BROWSER
05: Managing Projects in the Browser
06: Using Labels
07: Searching and Sorting
08: Saving Browser Views
09: Creating Bins and Sequences
10: The Magical Shortcut Menu
11: Arranging Window Layouts
12: Importing Clips
Section 03: VIEWING CLIPS
13: Playing Clips in the Viewer
14: Marking Clips on the Fly
15: Creating Subclips and Markers
16: Using the Audio Tab
17: Play Around Current
18: Editing an Audio Only Clip
Section 04: VIEWING SEQUENCES
19: Matching Sequence Settings to Clips
20: Open Format Timeline
21: Using the Canvas Window
22: Desktop Cinema Playback
Chapter 2: Let's Edit!
Section 05: BASIC EDITING
23: 3-Point Editing Basics
24: Track Targetting Overview
25: 3-Point Editing Rules
26: 3-Point Editing Shortcuts
27: Timeline Zooming Techniques
28: Insert Editing Rules
29: Editing to the Timeline
30: Audio-Only Edits
Section 06: TIMELINE EDITING
31: Timeline Header Overview
32: Auto Select Control
33: Timeline View Controls
34: Linked Selection
35: Controlling Snapping
36: Manipulating Clips Pt.1
37: Deleting Clips
38: Swapping Clip Order
39: Understanding "options"
40: Fixing Out of Sync Warnings
41: Mainpulating Clips Pt. 2
Chapter 3: Deeper Into Final Cut
Section 07: PROJECT MANAGEMENT
42: The Non-destructive Editor
43: FCP File Management
44: Using Autosave
45: Handling Offline Media
46: Locating Media Files
47: Dealing with Rendering
48: RT (real-time) Settings
Section 08: CUSTOMIZING FCP
49: Button Bars
50: Window Layouts
51: Keyboard Shortcuts
Section 09: TRANSITION EFFECTS
52: Applying Transition Effects
53: Understanding Transitions
54: Transition Alignment
55: Moving a Transition
56: Realtime vs Non-Realtime
57: Customizing Transitions Pt. 1
58: Customizing Transitions Pt. 2
59: Setting the Default Transition
Section 10: USING FILTERS
60: Applying A Filter
61: Changing Parameters
62: Removing Filters
63: Copying Filters
64: Copying & Pasting Clips
65: Basic Filter Keyframing
66: Complex Keyframing
67: Color Correction Filters
68: Keying Filters
69: The Smoothcam Filter
70: Effect Availability
71: Controlling Filter Order
Section 11: BASIC COMPOSITING
72: The Superimpose Edit
73: Manipulating Objects
74: Distorting & Cropping
75: Adjusting Opacity
76: Composite Modes
77: Using the Motion Tab
Chapter 4: Advanced Editing
Section 12: ADVANCED COMPOSITING
78: Introduction to Generators
79: Creating Basic Text
80: Drop Shadows
81: Layered Photoshop Files
82: Nesting Sequences
83: Clip Markers vs. Sequence Markers
84: More Fun with Markers
85: Nesting In Place
Section 13: SPEED EFFECTS
86: Basic Speed Changes
87: Creating a Freeze Frame
88: Understanding Frame Blending
89: Variable Speed Effects
90: Using The Speed Graph
91: Fit to Fill Edits
Section 14: TRIMMING
92: Rippling Edits
93: Rolling Edits
94: Creating Split Edits
95: Slipping & Sliding Clips
96: Numerical Trimming
97: Meet The Trim Edit Window
98: Using the Trim Edit Window
Section 15: ADVANCED EDITING
99: Match Frame
100: Ganging the Viewer and Canvas
101: The Replace Edit
Chapter 5: Editing Audio
Section 16: AUDIO EDITING
102: Sound Design Overview
103: Adding Timeline Tracks
104: Normalizing Dialogue Tracks
105: Mono and Stereo Pairs
106: Filtering Audio Clips
107: Audio Transitions
108: Building Complex Sounds
109: Muting and Soloing Tracks
110: Incorporating Sound Effects
111: Adding Music
112: Audio Mixing
113: The Audio Mixer Window