Music has always been center stage in Apple's Product line. Think iPod, and you can see why Apple's interested in making it easier for artists to create music.
But Apple is also into video, and Final Cut Pro is sweeping the competition aside, making Apple the dominant player in both the audio production and video editing markets.
With this in mind, it's no wonder Apple has spent a lot of time on Logic's video scoring functions. You can open Movies directly in Logic, change tempo to match scene breaks, and even adjust timecode offset to ensure your audio always matches your video, frame for frame.
But what's a movie without that bigscreen surround sound? If you have Logic Pro, you can score surround soundtracks right inside Logic. There's nothing holding you back from creating huge moving picture sound ... these videos show you how!
Click the link below to see precisely what's on offer by reading the table of contents.
Chapter 1: Scoring Video in Logic
Section 1: OPENING MOVIES IN LOGIC
01: Opening a Movie in Logic
02: Using the Global Video Track
03: Resizing the Movie Window
04: Presenting the Movie
05: Using Movie Window Parameters
06: Viewing DV Movies Over Firewire
07: Playing the Movie's Sound
08: Importing the Movie's Audio
Section 2: WORKING WITH TIMECODES
09: Setting the Song's Frame Rate
10: Using the SMPTE Displays
11: Setting the Default Timecode Value
12: Setting the Offset Timecode
13: Setting the Movie Start Position
Section 3: CREATING PROXY MOVIES
14: Proxy Movie Overview
15: Why's My Video Blurry?
16: Choosing a Video Codec
17: Choosing a Frame Rate
18: Adjusting the Movie's Quality
19: Adjusting the Movie's Dimensions
20: Comparing the Source and Proxy Movies
Section 4: SCORING YOUR VIDEO
21: Using Pickup Clock to Spot Effects
22: Using Drag Modes
Section 5: EXPORTING AUDIO TO MOVIES
23: Exporting Audio To a Movie
24: Exporting an MP3
25: Adding the MP3 to Your Movie
Chapter 2: Setting-Up for Surround Mixing
Section 1: SETTING UP FOR SURROUND MIXING
26: 5.1 Surround Overview
27: Setting-Up for Surround Mixing
28: Creating a Surround Output Matrix
29: Organizing Your Channels
Section 2: PANNING AROUND SURROUND
30: Using the Surround Panner
31: Using the Pan Window
32: Opening Multiple Pan Windows
Section 3: BOUNCING SURROUND STEMS
33: Working with Center Channels
34: Working with the LFE Channel
35: Controlling Output Levels
36: Bouncing Surround Stems