- Status
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Available ( Add to Cart )
- Released
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Jun 13th, 2008
Reason 4 is an amazing "studio in a box" ... watch a pro show you how it works!
Propellerhead Reason was the first "Studio In A Box" to be come out, and it still makes waves to this day for being one of the must intuitive, easy to use, and FUN audio programs on the market. There's something about being able to create a custom rack and wire it up like your patching together an old analog synth that makes Reason a really rewarding program to use. This software is all about instant gratification, but you still need to know a few tricks to help you get the most out of it.
In this 5 hour tutorial program, macProVideo.com's star trainer Paul Garay demonstrates some incredible Reason 4 tips, tricks, and workflow techniques that will get you making music quickly. You'll learn how to create and patch together custom racks and then use Reason's sequencer to edit and automate MIDI data so your custom racks sing like a concert diva.
Paul also provides a solid overview of Reason 4's main synthesizers, including the NN-XT Advanced Sampler and the amazing new Thor Polysonic Synthesizer. Once you've created your sounds, see how reason's built in DSP effects can be used to enhance your sound. You'll also learn how to use Reason's M-Class Mastering Suite to put the finishing gloss on your songs.
This is a comprehensive tutorial, but you don't need to watch it all. Use the search functions and detailed menus to quickly find important topics - that's the essence of Nonlinear Educating using N.E.D.!
Check out the Table of Contents below to see all the topics this tutorial contains.
Chapter 1: Reason Basics
Section 1: Reason Overview
1. Reason Overview
2. The Setup Wizard
3. Setting Up Basic Prefs
4. Working the Transport
5. The Mixer
6. The Line Mixer
7. Sequencer Overview
8. Recording Ext MIDI Input
9. The SPL and Locator Flags
10. Loop Mode Playback
11. Reading the CPU Meter
12. Setting Up a Default Song
13. Saving Your Work
Section 2: The Redrum Computer
14. Redrum Overview
15. Loading Samples vs. Patches
16. Making a Beat Pattern
17. Steps, Resolution, Shuffle
18. Using Flam
19. Randomize Drum/Pattern
20. Copying and Pasting Patterns
21. Mixing and Altering Sounds
22. Copying Patterns to Tracks
23. Sequencing Using Pattern Changes
24. Editing Pattern Changes
25. Overdubbing MIDI onto a Note Lane
Section 3: The Subtractor Analog Synthesizer
26. The Subtractor
27. The Oscillator Section
28. The Filter Section
29. The Noise Generator
30. Using ADSR Envelopes
31. Using LFO's
32. Saving a Custom Patch
33. Loading Preset Patches
Section 4: The Malstrom
34. The Malstrom
35. The Oscillator Section
36. The Index Slider
37. ADSR Amp Envelopes
38. Using Filters
39. The Shaper
40. Modulation Section
41. Assigning Realtime Control
Section 5: The Thor Polysonic Synthesizer
42. Thor Intro
43. The Controller
44. The Programmer
45. The Modulation Bus
46. Step Sequencer
Section 6: The NN-19 Digital Sampler
47. NN-19 Intro
48. Loading Patches
49. Loading Samples
50. Loading REX Files
51. Synth Parameters
52. Play Parameters
Section 7: The NN-XT Advanced Sampler
53. NN-XT Intro
54. Loading Preset Patches
55. Global Controls
56. Using Multiple Outputs
Chapter 2: Getting Deeper Into Reason
Section 1: Working With Rex Files
57. Dr. Rex Loop Player
58. Importing Refills
59. Adjusting Slice Settings
60. Copying A Rex Loops To A Track
Section 2: Using The Combinator
61. The Combinator
62. Multi-Output Instruments
63. Multi- Device Instruments
64. Saving A Multi-Instrument
Section 3: Using The Sequencer
65. Sequencer Overview
66. Recording a Track
67. Quantizing Tracks
68. Loop Recording
69. Basic MIDI Note Editing
70. Sequencer Tools
71. Mute and Join Sequencer Clips
72. Basic Song Arranging
Section 4: Using Automation
73. Understanding Automation
74. Writing Automation
75. Editing Automation
Section 5: The ReGroove Mixer
76. Converting AKAI discs using Reload
77. The ReGroove Mixer
78. Assinging A Track to ReGroove
79. Shift vs. Shuffle
80. Using the Presets
81. Timing Impact
82. Velocity Impact
83. Note Length Impact
84. Random Timing
Section 6: Using Rewire
85. What Is Rewire?
86. Setting Up To Rewire Reason
87. Rewiring Into Logic 7.2 And Up
88. Rewiring Into Logic 7.1 And Below
89. Rewiring Reason Into Pro Tools
Section 7: Pattern Sequencing
90. Pattern Sequencing Using The Redrum
91. Pattern Sequencing Using The Matrix
92. Programming The Gate Mode Of The Matrix
93. Chaining Multiple Patterns With The Matrix
Chapter 3: Refining Your Sounds
Section 1: Using Effects
94. Adding An Effect To A Sound
95. The RV-7 Digital Reverb
96. The DDL-1 Digital Delay Line
97. Creating An Effects Loop (Send/Return)
98. Adding Processing To An Instrument
99. What Is EQ?
100. Using The Mixer 14:2 EQ
101. The Peq-2 2 Band Parametric EQ
102. What Is Compression?
103. The Comp-01 Compressor/Limiter
104. Setting The Attack And Release Controls
Section 2: Creating A Mix
105. What Makes A Good Mix?
106. What Is Unity Gain?
107. Setting Levels For Mixing
Section 3: Mastering Your Song
108. What Is Mastering?
109. Using The Mclass Mastering Suite
110. The Mclass Equalizer
111. The Mclass Stereo Imager
112. The Mclass Compressor
113. The Mclass Maximizer
Section 4: Finishing Your Song
114. Setting Song Information
115. Checking Song Self Contain Settings
116. Publishing Your Song
117. Exporting A Loop As An Audio File
118. Exporting A Song As An Audio File