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  • Nov 08, 2011
在Photoshop CS5创建更好的电视图形
  • Genre: Graphics
  • Level: Intermediate
  • Time to Complete: 30-45 minutes
  • 0 comments — Start Discussion
翻译谷歌翻译

Preview these Photoshop Tutorial-Videos

Photoshop CS5 204: Preparing Still Images for Final Cut Pro - Play IconPhotoshop CS5 204: Preparing Still Images for Final Cut Pro - Preview Video
Photoshop CS5 204: Preparing Still Images for Final Cut Pro - Play IconPhotoshop CS5 204: Preparing Still Images for Final Cut Pro - Preview Video
Photoshop CS5 204: Preparing Still Images for Final Cut Pro - Play IconPhotoshop CS5 204: Preparing Still Images for Final Cut Pro - Preview Video

本文将驱逐准备电视/显示器输出Photoshop图形所涉及的失望很长的路要走,你有我的个人担保。事实上,如果你没有看到改善,那么你可以跟踪我,我带你出去吃晚饭,以弥补它。


第1步 - 了解你正在做什么

总是首先要做的一件事是创建一个Photoshop文档,编辑你的工作相匹配的编解码标准。这可能是你知道的东西如果没有,问的人做。


步骤2 - 使用权的Photoshop预置

不要开始你打算在电视上使用的图形,而不是总是打开一个新的形象,是正确的编解码器标准。

New TV Doc


从“新文件预设选项选择电影/电视,然后选择


第3步 - 选择正确的色彩空间

没有Photoshop的电影/电视预设自动选择颜色管理选项,但你最好这样做。

Color Space


对于一个标准的定义编辑(DV的NTSC / DV PAL等)使用SMPTE - C。高清晰度编辑使​​用HDTV(建议709)。


第4步 - 使用安全指南

一旦文件预置完成后单击“确定”,该文件将打开看起来像这样。

new Doc opened


背景选项是给你。我喜欢的工作具有透明背景的,因为它使周围合成编辑器更多的选项,进入编辑您的图形。

请注意屏幕边缘周围的青色指南。外缘线标志着80%的总的形象,代表您的图形的安全区域的行动。简单地说,你应该保持在此区域内任意键设计领域,因为他们可能在某些电视上冒出。

safe zones


内线代表约60%的总图像安全的标题。此区域应包含所有可读的文本,出于同样的原因。

guides on/off


第5步 - 开始添加图形

在这里,我已经打开在我的图形背景使用的图像。

background pic & Square Pixels


真的很重要,要注意的是,这个图片使用方形像素,像任何Photoshop图像。这是伟大的PC显示器。电视

background pic into Graphic


拖动图像到我们的新的电视准备的Photoshop文件,但是没有一个非常聪明的事情:因为我使用了DVCPRO HD预设,Photoshop CS5的像素形状不匹配补偿!良好的Photoshop。

turn off pixel aspect ratio


要清楚地看到Photoshop CS5的是如何巧妙,去查看

no aspect ratio


第6步 - 现在获得级别正确

电视友好的文档,直到你的设计几乎是准备添加更多的层,然后我们将不得不做一件可怕的事情!

电视信号有限制的亮度范围。相反Photoshop的正常范围0为黑色和白色的255,电视信号使用黑色和235白色16。为了最有效地限制图片的范围,以16-235,添加一个色阶调整图层。

Levels Adjustment Layer


打开名为“调整面板,然后单击上水平。

16-235 output


确保色阶调整图层,在图层面板中的所有其他层以上,使其影响所有。然后,输出滑块设置为黑色16

split screen luma


这将使图像的要少得多充满活力,但是,这将有助于保持你的形象,这两个平台上的相同。


第7步 - 过饱和的色彩监测

电视上的颜色与亮度,范围较窄,也应限制在最高235。

NTSC Filter


您可能会发现,加入名为NTSC颜色( 过滤器的过滤器

为了帮助这个问题,“信息”面板(“窗口“切换

info Panel


您的光标左右移动你的形象任何鲜艳的地区,任何一个超过235。


步骤8 - 删除在色彩饱和度

添加第二个调整图层,这次使用的色调和饱和度可以减少任何过于饱和的色彩。

Hue and Sat layer


使用主层,以减少对所有的饱和层,继续使用“信息”面板来衡量更饱和的地区,直到他们测量235或更少。


第9步 - 给红色和蓝色踢

红色和蓝色可以证明一点棘手的电视信号处理,可能会从中受益,进一步减少超过235,

Red/Blue Limiter


使用相同的色调和饱和度调整图层,改变通道选择为蓝色,并进一步减少强烈的蓝色区域的饱和度。与红军相同。

Low Range Image


正如你可以看到,大幅减少色彩和亮度,从而在质量上大大减少,在Photoshop中,至少有结果。记住,但是,这种形象是电视,它会寻找更好的创建。


第10步 - 添加文本

虽然可以显示在计算机屏幕上的图像,即使最好的线路和中风的清脆和尖锐,电视与薄非的水平线斗争,使它们呈阶梯状。无处这是比文字更明显,特别是Serif字体。

serif font thin


为了从文本中得到最好的结果,坚持以下几点:

  • Use text no smaller than 24pt
  • Bold Text usually reads better on a TV
  • Sans-Serif fonts are less likely to cause scanning problems 
  • Remember to keep text within the Title Safe guides

San Serif Font 24pt


第11步 - 导出视频文件中

你可能受到诱惑拼合所有图层和导出JPEG,但是,以确保更好的结果,给予更多的选择,使用与您的图形编辑器,尝试并坚持使用。PSD代替。

FCP 7 PSD sequence


分层PSD将被接受后,首映,FCP7

layered effect


要牢记的一件事是到Photoshop图层样式,一旦进入编辑包会发生什么:他们能留下。为了防止这种情况,首先拼合所有图层样式。

在上图中,我已经添加外发光图层样式层需要压扁。


第12步 - 拼合图层样式

样式层下方创建一个新层,选择个性化的层,然后选择“向下合并按Command - E。

Merge Down


现在你的形象是准备导入到编辑软件,你可以放心,最终的结果,你会看到在电视屏幕上会是一个更接近的比赛,您在计算机上创建一个。它可能看起来像一个奇怪的概念,以使图像研究,以便更糟糕更好看,但电视时,多数民众赞成你必须做什么。


Preview these Photoshop Tutorial-Videos

Photoshop CS5 204: Preparing Still Images for Final Cut Pro - Play IconPhotoshop CS5 204: Preparing Still Images for Final Cut Pro - Preview Video
Photoshop CS5 204: Preparing Still Images for Final Cut Pro - Play IconPhotoshop CS5 204: Preparing Still Images for Final Cut Pro - Preview Video
Photoshop CS5 204: Preparing Still Images for Final Cut Pro - Play IconPhotoshop CS5 204: Preparing Still Images for Final Cut Pro - Preview Video
David Smith

David Smith

David Smith is Scotland's most qualified Apple and Adobe certified trainer. Having completed his education at Edinburgh College of Art's BAFTA winning Film School, David moved straight into TV production, first as a Vision Mixer then quickly becoming, at the age of just 24, a director of live TV studio productions. In 2001 he moved into Higher Education where he became a lecturer in TV Production, specializing in post-production and live studio production. During this time, and working with the support of the BBC, Channel 4 and independent production companies, David was instrumental in the design, development and implementation of industry-approved vocational courses across Scotland's Colleges. In 2006, after working closely with Apple Computers to create a unique multimedia studio for education at the Music and Media Centre in Perth, David became Scotland's first Apple-Certified Trainer for Pro Apps. This led on to David forming the first Apple Authorized Training Centre for Education, north of Manchester. In 2008 David made the move to full time training and joined the ranks at Academy Class, Ltd. where he continues to train industry professionals as a certified trainer across the Adobe Creative Suite and Apple Pro Apps range.

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