Steinberg introduces a brand-new Cubasis, redeveloped from the ground up and adding iPhone compatibility plus more than 20 user-requested features.
HAMBURG, Germany — Steinberg today announced the immediate availability of Cubasis 3, the award-winning music production app that lets musicians and producers create music anywhere they go. Gravitating toward its desktop equivalent, Cubasis provides the same look and feel as Steinberg’s Cubase music software, and sports similar tools to perform, mix and share music productions, including many effects, hundreds of instrument sounds and third-party plug-in compatibility with Audio Unit, Inter-App Audio and Audiobus 3.
The all-new Cubasis
Previous versions of Cubasis only ran on the iPad, but with its third version, Cubasis has evolved into a full-fledged DAW now offering universal app support for both iPad and iPhone. This means that the app’s extensive feature set can now be used on a smaller screen without restricting usability.
Cubasis 3 is more performant than ever before, offering great new features and enhancements that let users get results quickly and easily. Group Tracks is one of many highlights that Cubasis has to offer. It combines multiple tracks so that they can be processed and mixed as though they were a single track — a special capability that is extremely useful when using the app on the limited real estate of an iPhone’s screen.
The mixer in Cubasis 3 has been revamped, now taking advantage of the entire display. It includes useful zoom modes and an eminently accurate level metering for as many tracks as are needed.
Also new in Cubasis 3 are the eight rearrangeable insert and send effects. Users can add up to eight insert and eight send effects from the many already included in Cubasis or can choose to use third-party effects via Audio Unit, Inter-App Audio and Audiobus 3. The insert effects can now be placed before or after the fader.
Key Features
Unlimited number of audio and MIDI tracks
24 assignable physical inputs and outputs
32-bit floating-point audio engine
Audio I/O resolution of up to 24-bit/96 kHz
Real-time time-stretching and pitch-shifting featuring zplane’s élastique 3
Micrologue virtual analog synthesizer with 126 ready-to-go presets
MicroSonic with over 120 virtual instrument sounds
MiniSampler to create your own instruments (includes 20 factory instruments)
Mixer with studio-grade channel strip per track and 17 effects processors
Fully automatable DJ-like Spin FX effect plug-in
Over 550 MIDI and time-stretch-capable audio loops
Virtual keyboard, chord and drum pads with intuitive note repeat
Audio editor and MIDI editor with MIDI CC support
MIDI editor for programming and editing MIDI tracks quickly and efficiently
MIDI auto quantize
Track duplicate
Automation, MIDI CC, program change and aftertouch support
Core Audio and MIDI-compatible hardware supported
MIDI over Bluetooth LE support
Load favorite third-party instruments and effects plug-ins via Audio Unit, Audio Unit MIDI, Inter-App Audio and Audiobus 3
Import audio via iTunes, iCloud Drive, Files app, AirDrop or use AudioPaste
MIDI clock and MIDI thru support
Export to Cubase, iCloud Drive, external hard drives, wireless flash drives, Dropbox, AudioCopy and email
Availability And Pricing
Cubasis 3 is purchased as download through the App Store and is not available for free to existing customers of previous versions of Cubasis. The price is 54.99 euros including German VAT. Cubasis 2 and its corresponding in-app purchases remain available in the App Store. Cubasis 2 will now be priced at 26.99 euros including German VAT.
Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys.
A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications.
As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely.
Hollin is Contributing Editor at Ask.Audio.
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