Online Software, Workflow, & Production Courses : macProVideo.com

L'utilisation de Soundtrack Pro comme un processeur de lots

David Earl on Fri, January 20th 8 comments

Language

While Soundtrack Pro is only available in the current boxed version of Logic Studio, it is still a useful audio editor to use! David Earl (aka sflogicninja) shows how to use it as a batch processor.

Soundtrack Pro est l'une des applications les plus puissantes et sous-utilisÃ© dans la suite Logic Studio. Beaucoup de gens qui l'ouvrent pour la premiÃ¨re fois pensent que Soundtrack Pro peut Ãªtre redondante, puisque la logique va Ãªtre l'outil Ã consulter pour la production audio multipiste.

Soundtrack Pro a dÃ©marrÃ© comme un outil de post-production dans l'industrie cinÃ©matographique. Non seulement at-il une audio multipiste trÃ¨s capable montage et le mixage du systÃ¨me, il a un Ã©diteur audio phÃ©nomÃ©nale 2-track ainsi. Je compare cela Ã photoshop pour l'audio. Il mÃ©rite le respect!

Aujourd'hui Id tiens Ã montrer comment utiliser Soundtrack Pro comme Ã©diteur par lot. Nous allons ouvrir un son dans Soundtrack Pro, appliquer des effets, et de crÃ©er un Ã©diteur de lots Ã l'aide d'un script AppleScript.

Ã‰tape 1 - Ouvrir un fichier audio dans Soundtrack Pro

Pour ouvrir un fichier audio dans Soundtrack Pro, tout simplement Ctrl-clic sur le fichier audio, et choisissez Ouvrir avec Soundtrack Pro:

Vous pouvez Ã©galement ouvrir un fichier audio dans Soundtrack Pro directement Ã partir d'une session Logic en utilisant le raccourci clavier Maj-W.

Une fois dans Soundtrack Pro, nous obtenons un Ã©diteur audio classique 2 voies:

Ã‰tape 2 - Ajout d'effets

Pour ajouter un effet, utilisez le raccourci clavier Commande-A pour sÃ©lectionner tous les fichiers audio, et allez dans le menu Processus. Allaient choisir Reverse:

Maintenant, le fichier audio est inversÃ©. Permet maintenant passer au processus de

Maintenant, nous voyons le plugin de rÃ©verbÃ©ration. Pour appliquer la rÃ©verbÃ©ration, choisissez Appliquer dans le coin infÃ©rieur droit de la fenÃªtre du plugin.

Ensuite, laisse inverser Ã nouveau l'audio! Appuyez sur la barre d'espace pour entendre le nouvel arriÃ¨re-effet reverb.

Sur le cÃ´tÃ© gauche, on nous montre une liste des processus que nous appliquons. N'hÃ©sitez pas Ã re-commander la liste des processus. Il sera re-traiter le fichier et vous pouvez entendre la rÃ©verbÃ©ration avant inversÃ©e, aprÃ¨s inversion, ou dÃ©cochez la case, et nous ne recevons aucune rÃ©verbÃ©ration du tout. C'est la magie de Soundtrack: on nous donne plusieurs couches pour le son.

Ã‰tape 3 - CrÃ©er un AppleScript

Maintenant que nous avons un processus joli petit pour rapidement prendre une reverb inversÃ©e, permet d'ajouter ce processus Ã notre

Aller Ã la

Nom de cette

Maintenant, vous pouvez accÃ©der Ã cette Applescript de votre

Maintenant passons Ã convertir par lots d'un dossier complet de l'audio rapidement et facilement.

Ã‰tape 4 - la conversion par lots un dossier en utilisant
Maintenant sauver un autre

Si vous prenez un dossier entier de fichiers audio sur cette icÃ´ne, l'ensemble de l'audio dans le dossier auront automatiquement les paramÃ¨tres appliquÃ©s que nous avons crÃ©Ã© auparavant. Pas besoin d'ouvrir de Soundtrack Pro. Il suffit de glisser le dossier de fichiers audio sur l'icÃ´ne AppleScript, et regardez-le aller! (Ou allez vous faire une boisson)
Le seul inconvÃ©nient est que vous devez utiliser des fichiers audio PCM. Non OGG, MP3, ou tout autre format compressÃ©. Soundtrack peut ne pas les reconnaÃ®tre.
Amusez-vous!

David Earl

David writes music for all media including advertising, branding, movies, television, and games. He works for such clients as Sega, LucasArts, Microsoft Game Studios, Landor and Associates, Beyond Pix, Rich Pageant, and Nextel. He also teaches at an Apple Certified training facility in San Francisco called Pyramind and has long been a resource to fellow composers, producers and studio engineers who needed help with their DAWs. A few years back he created a YouTube page that had some of his most popular tips and tricks in Logic where he provided a Logic resource for other aspiring producers, composers, and engineers. This YouTube page quickly became a source of inspiration to help the Logic Studio community at large. With over 22,000 followers on YouTube he decided (and we agreed) that it was time for the "sflogicninja" to partner with macProVideo.com to create longer format, in-depth tutorials. We are excited to welcome David to the mPV team as we continue to create the most and the best Logic tutorials on the planet!

Related Videos

Comments (8)

You must be logged in to comment.

SixStringsDown

GENIUS!
- 8 years ago
- By: SixStringsDown
Reply
David Earl

Thanks!!
- 8 years ago
- By: David Earl
Miloslav

David Thx, but another thoughts. http://www.larryjordan.biz/soundtrack-pro-audio-files/ Miloslav
- 8 years ago
- By: Miloslav
Reply
Rounik Admin

Hi Miloslav Yes, perhaps we could've mentioned that STP will process audio files in this way in a destructive manner (i.e. altering the original file) and therefore, of course, it is always important to make a copy of the audio file if you wish to keep the original intact. However, the article in your link is describing the process of applying noise reduction which assumes you'll be tempted to work on the original file. Indeed, in that situation, you really should be making backups of your audio file first or exporting to a new file from within STP. You could actually build in a number of automator actions/scripts to duplicate the original file first before one of the copies gets processed in STP. Cheers Rounik
- 8 years ago
- By: Rounik Admin
Reply
David Earl

Hey there! With hard drive space being less expensive as the years roll by, I highly recommend that all audio to be batch processed should be copied to a new folder before processing. As for the linked article, I understand Larry's concerns regarding the source audio being effected without chance of undo, but copying the folder is pretty quick and painless for even the largest audio project. For noise reduction, I would create separate folders for different recording environments. These environments would have their own individual noise prints, given that the location audio includes room tone. This means separate scripts for different environments. I need to do a bit of research to see if noise prints are included in scripts. You cannot use the same noise print on very environment. Each folder would be batched individually. Noise reduction can be tricky, due to potential volume fluctuations that may increase artifacts in the noise reduction. This is why having copies of the files is important. I think Larry is right in saying that the best result would be to process individual files. I also know production schedules, and sometimes speed trumps quality depending on the project. Also, all projects should be backed up either by using Time Machine or a program like Chronosync. This way if you have screwed up the original audio, it can be replaced with an original very easily. *bows*
- 8 years ago
- By: David Earl
Reply
Miloslav

Hallo David, Hallo Rounik, Thanks for reading and solution. Miloslav
- 8 years ago
- By: Miloslav
Reply
GaryHiebner

Excellent tutorial. Soundtrack has some amazing effects and processors which I wish Logic will incorporate. Hopefully in Logic X?
- 8 years ago
- By: GaryHiebner
Reply
David Earl

@Gary I think you may be on to something. :-)
- 8 years ago
- By: David Earl
Reply

Core Soundtrack Pro 2

Soundtrack Pro 101