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创意制作节拍:添加一些“反弹”,以您的逻辑Hi帽子
Gary Hiebner on Sun, February 20th | 9 comments
Your hi-hat patterns can make or break a beat. Well-constructed hat patterns can make a stale beat groove. It can take a stagnant beat and turn it into a groove monster. I have found by adding modulat

Your hi-hat patterns can make or break a beat. Well-constructed hat patterns can make a stale beat groove. It can take a stagnant beat and turn it into a groove monster. I have found by adding modulation and delay effects, you can really get those hat patterns bouncing all over the stereo field. This tutorial will show you how to liven up your hats in Logic using its built-in effects.

01 - 创建一个逻辑模式

在逻辑上,建立一个手段,并插入的Ultrabeat的一个实例。我已经坚持了默认Ultrabeat能鼓包。

现在抢钢笔工具,并为我们安排页面上绘制一个区域的MIDI编辑。使该地区2家酒吧。现在双击这个地区在钢琴卷帘(鼓编辑器)窗口中打开它。

创建一个像我做了如下一个简单的帽子模式。

红帽模式的音频示例:

[音频ID =“1748”]

02 - 现在加入了一些延误

“净化海港计划”模式可能显得有点平淡,但这里是什么地方的乐趣开始。插入添加插件Logic的磁带延迟,并在下面的设置拨号。增加湿控制的味道,这取决于你的帽子模式。

帽子与磁带延迟音频的例子:

[音频ID =“1750”]

03 - 添加立体声延迟

使左,右扬声器之间的帽子移动,添加一个立体声延迟和拨号以下设置:

我们一直专注延迟频率220Hz和3500Hz之间,此范围内感到帽子声。我们还增加了一些轻微的LFO速率和调制深度。这增加了轻微的变化,帽子的声音延迟的声音退化。

音频示例帽子立体声延迟

[音频ID =“1752”]

我们有跨美联储一些左到右声道通道,反之亦然。这种凝胶的左,右延迟的帽子觉得自己是一个真正的空间。

我们低胸只有高频率,使周围的立体声场移动。与磁带延迟一样,调整左,右的混音控制的味道。你真的会发现现在周围的立体声场的帽子。

04 - 添加调制效应

Just to spice it up a bit more I have added a sprinkle of Chorus to modulate the hats more. But you can go wild and see what suits your hats in the particular track. We have made the intensity quite high which changes the sound of the hats quite a bit. Sometimes less is more, but here we found that more was better!

帽子与合唱团的音频示例:

[音频ID =“1754”]

05 - 巴士出来,人!

您可能会发现,加入所有这些渠道地带的插入效果,你开始失去最初的帽子攻击。这种处理可能发生变化的帽子的声音太大。为了缓解这种情况,我们创建了一个辅助通道和媒体上进行了帽子的辅助通道,并复制到辅助通道的影响。

现在,您可以混合干帽子通道(攻击),“影响”的帽子通道(含加工)。你得到两全其美。您保留干帽子的攻击,但获得广泛的影响帽子的声音。

音频示例辅助通道的帽子

[音频ID =“1756”]

06 - 现在用力压,家的小子!

现在我们已经添加了一个简单的踢和圈套模式,所以你可以听到在一个循环的背景下帽子格局。

首先,这里有随拍干的帽子:

[音频ID =“1757”]

,这里是“生效”帽子的节拍:

[音频ID =“1758”]

所以,现在走出去,并得到所有的地方反弹的帽子,。只是没有任何易碎的物体附近!

请给我们下面的评论, 并确保检查出这些逻辑教程,学习更多的生产技巧和窍门。

Comments (9)

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  • Gapewuy
    This is cool. Thanks!
    • 8 years ago
    • By: Gapewuy
    Reply
  • Hrmonik
    My favorite process thus far has been to apply the stereo delay on the hi hats or use the pedalboard plugin delay section: you can find some interesting outcome
    • 8 years ago
    • By: Hrmonik
    Reply
  • Jupygou
    Hi Gary. It's amazing how much life you got out of that beat. This is great stuff!
    • 8 years ago
    • By: Jupygou
    Reply
  • Rounik Admin
    Nice Tut Gary!
    • 8 years ago
    • By: Rounik Admin
    Reply
  • Joreg
    Hi Gary, Awesome tips! Thanks a million!
    • 8 years ago
    • By: Joreg
    Reply
  • Hrmonik
    Has anyone tried adding the ringshifter plugin instead of a delay ? Interesting sound
    • 8 years ago
    • By: Hrmonik
    Reply
  • Joreg
    Yes Harmonik, I believe the spirit is giving you a starting point to explore and came up with your ideas too.
    • 8 years ago
    • By: Joreg
    Reply
  • Dekuruy
    Thanks for breaking this down so clearly, Gary.
    • 8 years ago
    • By: Dekuruy
    Reply
  • GaryHiebner
    Pleasure guys, Have fun and go crazy with the plugins. You can surprise yourself how interesting things can get when you start throwing those Logic plugins on the channel strips.
    • 7 years ago
    • By: GaryHiebner
    Reply
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