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创建风效果:噪声逻辑筛选使用的ES1
Richard Lainhart on Fri, June 10th | 0 comments
In this Quick Tutorial, we'll look at how to create a classic analog synthesis sound — the sound of whistling wind — using Logic's ES1 synth.

在这个快速教程,我们将看看如何创建一个经典的模拟合成声呼啸的寒风使用逻辑的 ES1合成的声音。


第1步 - 启动ES1

开放逻辑,选择“ 文件”开始


然后,在I / O部分的通道条督察左下角,单击默认EVP88软件仪器,选择ES1


最后,双击ES1的蓝色按钮打开ES1窗口:


第2步 - 最多ES1

配置在下面的截图所示的ES1:


这里有一个上市的所有必要的设置,由左到右,从上到下,和它们的含义:

  • Mix is set to Sub only, because the Sub oscillator is the only one of the two that offers white noise. 
  • The Sub oscillator is set to Noise (the squiggly waveform). 
  • Drive is set to 0 (zero) to reduce distortion. 
  • Filter is set to '24dB classic' for the classic swept noise sound. 
  • The filter's Cutoff is set to about the middle position, but you can adjust that to taste. 
  • Resonance is also set to about the middle position. The increased Resonance is what gives you a sense of pitch and "whistly-ness" in the final sound. You can also adjust this to taste, but don't set it too high or it will self-resonate and provide too much of a sense of pitch. 
  • Key is set to the middle position, so that playing further up the keyboard will open the filter up a bit more and let you stack up multiple wind voices in different registers. 
  • In the bottom section, the Low Frequency Oscillator is set to a smoothed random waveform (the one at the 3 o'clock position), itself derived from white noise. Applying this to the Filter Cutoff will automatically vary the wind's pitch. Rate is set to 0.62 Hz; feel free to adjust this also. Higher frequencies will give you more active wind.
  • The slider to the left of the Router is set to the upper 3/4 of its range; this controls the basic amount of the Low Frequency Oscillator that is sent to control the filter's cutoff. In the Router itself, the filter's Cutoff is set as the destination for the Low Frequency Oscillator. 
  • The slider to the right of the Router is set to the lower 1/6 of its range; this sends a little more of the Low Frequency Oscillator to the filter's cutoff depending on your keyboard's trigger velocity.
  • Finally, the ADSR sliders are all set to Long or Full, or nearly so; this will give you long slow attacks and decays for your wind sound.


第3步 - 结论

发挥夫妇MIDI键盘上​​的音符,在其范围内的中间,你应该听到一个有说服力的的冬季风的声音。尝试加入长混响空间设计师甚至ghostlier声音:

[音频ID =“6749”]


并一如既往,实验和有有趣的逻辑



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