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Meilleur Logiciel d'enregistrement de musique
Martin Sitter on Fri, March 5th 6 comments
Logic Takes Over the Music World When Apple bought Logic from Emagic in July of 2002, the audio world took a big breath and wondered what would happen next. Until that time, Apple's line of Pro Creati

Logique Takes Over the World Musique

Lorsque Apple a acheté Logic d'Emagic en Juillet 2002, le monde de l'audio a pris une grande respiration et je me demandais ce qui allait arriver. Jusqu'à cette époque, la ligne d'Apple du logiciel Creative Pro inclus que Final Cut Pro et DVD Studio Pro ... deux applications étonnantes en effet. Mais nous ne savions pas à l'époque que Apple avait des plans pour transformer le Mac en toute plate-forme de rêve des artistes.

Avant d'Apple Logic acheté, Emagic a été rien de plus qu'un petit joueur dans le monde de la production audio. Pro Tools est le standard de l'industrie de facto DAW (Digital Audio Workstation) et si vous avez travaillé dans le business de la musique à tout type de niveau de grave, vous certainement utilisé Pro Tools dans votre studio. Il était prévu, parce que Pro Tools (à l'époque) pouvait offrir la puissance de traitement brute nécessaire pour mâcher à travers un projet multipiste grands avec des tonnes d'effets DSP ajouté à chaque piste, ce qui en fait le meilleur logiciel d'enregistrement de musique.

La raison de Pro Tools jouissait d'un tel avantage concurrentiel à l'époque était due à l'accélération matérielle qui Digi Design (le fabricant original de Pro Tools avant d'Avid fait l'acquisition) vous a forcé à acheter pour faire fonctionner leurs logiciels. Ces cartes matérielles contenues cœurs de traitement supplémentaire qui fait tout le levage lourd lorsque vous avez appliqué les réverbérations, de compression, égalisation, et ainsi de suite. Mais tout ce que la puissance de traitement a un prix ... un prix sérieux ... parfois des dizaines de milliers de dollars.

Et ce fut là où Apple a vu une opportunité. Pomme savait la puissance des processeurs internes utilisées dans leurs ordinateurs a été mis à augmenter de façon spectaculaire. Ils savaient aussi les clients miserait plutôt la puissance de l'ordinateur hôte et une DAW relativement bon marché (logique) pour faire de la musique, au lieu d'acheter supplémentaire, et très coûteux, matériel externe pour faire exactement la même chose. Et parce que la logique était que pour fonctionner sur le Mac, Apple, savait aussi que l'achat d'Emagic Logic apporterait une toute nouvelle race de producteurs à leur plate-forme, ce qui aurait pour résultat de leur permettre de vendre davantage d'ordinateurs. C'était un gagnant / gagnant-...

Depuis 2002, j'ai remarqué une progression constante dans le monde de la musique vers l'utilisation Logic. Presque tous les studios dans le monde offre désormais deux Logic et Pro Tools dans leurs salles d'enregistrement et de mixage. Beaucoup ont remplacé Pro Tools al ensemble. En dehors du facteur prix, des gens comme logique pour le potentiel créatif qu'il offre. Logic a audio supérieure de routage et de fonctions d'édition MIDI. Il ya des dizaines d'instruments logiciels et des effets DSP intégré directement dans (ce qui en fait l'un des plus polyvalents "studio dans une boîte» des applications logicielles sur le marché aujourd'hui), et avec l'architecture unité audio employée par Logic, 3e partie responsables de plug-in peut concevoir effets et des instruments qui s'intègrent brancher vos pistes pour améliorer la puissance du logiciel.

For many producers today, it's a no brainer ... they grab a mac and a copy of Logic, and they are ready to go! Logic is taking veer the music production world ...Best music recording software, what do you think?
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Martin Sitter
Publisher

Comments (6)

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  • Rounik Admin
    Without doubt Martin, I agree with you. Logic is the way forward on the Mac for recording & producing music. It's amazing how the price has been slashed since Apple took over. I remember back in the Logic 5 days to purchase Logic and all the plugins would cost in the region of £1200 GBP! Now, with so much more content, many more plugins, amazing features it's available for under £400 GBP. As CPUs in Macs become more and more powerful, applications like Logic and Live will surely keep growing their user base, while I expect Pro Tools to become more and more affordable too.
    • 9 years ago
    • By: Rounik Admin
    Reply
  • Martin
    Avid has to do something with Pro Tools to keep up. Their booth at NAMM was a shadow of it's former glory ... just a few pods and some tables to talk business at. No flashy presentations ... no big stage. And interestingly no Digi Design. Avid laid off a huge amount of staff last fall ... that's always a sign of things to come.
    • 9 years ago
    • By: Martin
  • I definitely agree with you both about Logic 9 being the top dog right now, but then again, Logic (and Reason) are the only sequencers that I'm fluent in (I ditched Reason after I became fluent in Logic). I have a pretty solid opinion about why I use Logic Studio as opposed to Pro Tools 8. Mainly because Logic and Pro-Tools are constantly paired against each other. I'm not nearly as clear as to why I use Logic 9 as opposed to other sequencers like Digital Performer 7 or Cubase 5. I'd be very interested to hear what either of you have to say. How do the other DAWS compare with Logic 9? What does Logic do better then them, and in what ways might the other DAWS have slight advantages over Logic 9? I bleed Logic, so I'm not planning on switching platforms. I am, however, very curious hear your 2¢ on the matter.
    • 9 years ago
    • By:
    Reply
  • Rounik Admin
    @ Eric, there are many similarities and differences between Logic and the competition. Let's choose Cubase first. Cubase has some great features and plugins in version 5... but it doesn't have an 'Environment'... This is a bog thing for me and performance of Cubase on Mac isn't as good as Logic. Digital Performer 7. I'm not hugely versed in DP7. Again no environment style area is a killer blow for me. It's apparently very good for scoring movies but the interface never got me going. Also, for some bizarre reason when I first got Logic back in version 5 DP7 was big in the states but not very popular here in the UK. Basically, Logic allows for a very very configurable workflow that suits my needs. Also, I just love Logic... I don't ge that feeling with other DAWs... I like them and appreciate them... but not the big L word ;-) Having said that, there are features in Cubase 5 and Live that I like...
    • 9 years ago
    • By: Rounik Admin
    Reply
  • Rohogay
    WOW, I just logged on tonight and I see a big fresh update to MacProVideo.com. Martin, you've been a busy man creating these articles for the new blog and your a great writer not to mention a great instructor. It's an amazing progression when you think about it. Logic is superior in so many ways. The sound sculpting synths and the built in EFX are extremely valuable. Logic is 64 bit and still accommodates 32 bit user plug ins. I went to NAMM this year and EVERYONE of any serious caliber was running logic. Melodyne is probably one of the most powerful softwares for audio around and of course, they were demoing and running on logic. I use a good number of plugins and frankly, Logic is so powerful, I am only using a few. you don't need a lot of plug ins unless your very specific in your needs which would be outside of logic. This website and the tutorials here along with the great forum support have taught me so much in such a short time, I am already working on my level two certification with Apple and the book looks like a printed review of what I have already learned with MacProVideo.com. I actually learned more with this companies training and to think I was completely ignorant to logic only 8 short months ago. Apple is a dominate cultural force in todays society and Logic is so powerful, it's like handing over the keys to a serious professional studio for $500. Apple products are superior and the fact that they offer some of the smoothest running computers with the fastest and most powerful computing systems allows Logic to run completely in a native environment without external parts. That is simply amazing. Pro Tools cannot survive with a dominate force like Apple providing better and better product and software at these low prices. Lets see, $10K- $15K USD for a pro Tools HD set up ( the cheap one) or $500 for Logic that can outperform it? Pro tools says, Nope you can't do that if you try something that is not conventional where as Logic says, " Lets try it?" You tell me.
    • 9 years ago
    • By: Rohogay
    Reply
  • Martin
    Hi Victor, I'm glad to know the vids are helping! And even happier to know you're getting up to speed on Logic quickly ... :) ... I used to write the courseware for Logic for Apple, and IMHO these videos are a far better and quicker way to learn. Great work over at vintageamps.com ... I love what you're doing there Victor!!
    • 9 years ago
    • By: Martin
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