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在逻辑的并行压缩9
Rounik Sethi on Wed, November 10th 6 comments
Compressors can be a great way to even out the dynamics of a drum mix, vocal performance or any audio signal. A compressor works by lowering the gain when the signal jumps above a certain level or thr

压缩机可以是一个伟大的方式,甚至鼓组合,声乐表演或任何音频信号的动态。降低增益压缩器的工作原理是当信号超过一定水平或阈值跳转。这又使安静的元素被响亮,提高了整体的感知水平。大多数情况下的印象是,它“fattens”的声音。如果信号是严重的,或者“过度”压缩,这可能会导致在被压扁的信号动态范围。

并行压缩,又称纽约压缩,是一个加强的声音,并保留了原始信号的动态范围的方式。它通过大量的压缩版本的信号混合在一起干(或轻度压缩)信号。虽然由于它的使用鼓臭名昭著的,这种技术可以用于任何文书,在任何几乎所有的音乐流派与丰硕成果。事实上,它是一个技术,而普遍应用在混合阶段,甚至可以用来当掌握了轨道,给它更多的存在。

在本教程中,我们将探讨如何使用总线技术在Logic Pro适用于平行的压缩,但你可以在Logic Express或任何您所选择的DAW。

01 - 相对水平

我使用的是一个四杆的循环,在这个例子中的四个鼓和撞击循环的轨道。

首先,你需要混合的踪迹,直到你高兴与他们相对的音量水平。你可以在逻辑的搅拌机更容易在安排区域。

I've also slapped an Adlimiter on the Stereo Output channel strip. This is entirely optional!!
Here's what the loop sounds like "dry":

[音频ID =“363”]

02 - 集团的“干”的鼓

我们将整个信号从4条通道通过一个新的辅助通道条巴士路线。在底部区域的4条通道的调音台刷卡选择并点击并按住输出槽上,并选择任何免费巴士。我选择了公交20。

巴士20创建一个新的AUX通道作为输入。从鼓通道的信号现正美联储AUX 1。我将重新命名矿“干鼓”。

03 - 光压缩

This step is optional. I like to add some light compression to the Dry Drums Aux to help all the elements gel together. Click and hold on the top insert slot and choose Dynamics > Compressor
Notice the Ratio and Threshold settings I've dialed in below. It creates a mild overall compressed effect.

看看你能听到细微的差别在MP3采样:

[音频ID =“366”]

04 - 发送到总线

为了建立并行压缩信号链,我们需要干的信号通过总线发送到一个新的辅助通道地带,所以我们可以申请较重的,信号的压缩。你不妨发送,从单独的鼓通道条辅助通道,或从“干鼓”。从原来的单独的频道,我要送。

选择所有4条通道,点击举行一个空的发送插槽。选择一个空的总线(我选择了公交车10)。

重命名的新的辅助通道(输入设置为公交车10),“大比赛”。

播放您的项目,就会发现你已经增加了鼓的声音的音量水平。

05 - 重压缩设置

Insert a Compressor plugin on the first insert slot of the "Big Comp" Aux channel strip. Here is where you can now let rip with a higher than normal ratio amongst other settings to give your drum loop a fuller, bigger sound. My settings are pretty extreme and the resulting sound is squashed and over-compressed. But that's a good thing for when we come to mixing this with the dry signal!

配合比试验,和释放,并尝试不同类型的压缩机电路。

我独奏版的“大比赛”通道地带,这里是沉重的压缩听起来像本身:

[音频ID =“369”]

06 - 去并行

独奏“大比赛”通道地带和低AUX通道的水平,直到你可以听到只干鼓。现在仔细增加水平推子,一边听着循环。我们的目标是混合干燥和压缩的信号,所以你仍然可以听到“干”的表现,同时加入一个丰满的(在这种情况下,脆),整个鼓组合的详细动态。

仪器(S)和体裁混合的音乐,你将在很大程度上取决于你选择添加额外的身体。尝试切换静音“大比赛”通道条的A / B的并行压缩。

这里是我最后的结果,我已经添加了一个并行压缩到微妙的。

[音频ID =“371”]

实验用的“大比赛”为一个较大的健全感到通道地带更明显的压缩设置。我也强烈建议检查出更多的压缩,均衡器,侧链和先进的演播室制作技术奥拉夫Basoski的电子元器件的工作流程技巧教程。

Comments (6)

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  • Dekuruy
    This is very useful, Rounik! You explain everything so clearly. The added audio samples are invaluable.
    • 8 years ago
    • By: Dekuruy
    Reply
  • Rounik Admin
    Thanks Adam! Hope you find the technique useful in your music productions. Best, Rounik.
    • 8 years ago
    • By: Rounik Admin
    Reply
  • Rohogay
    This mix worked very well.Actually, incredibly well. Might I ask one question? When a mix is made, the send levels which if blue are post fader and will track the fader in the event the fader is changed. Why then choose a pre-Fader send (Green) which is untouched by any change for the fader itself and if one were selected, wouldn't that make it easier to simply adjust the compressed channel down since the feed levels are still as needed in terms of mix? I always wondered if using pre fader sends were a good choice for maintaining better stability? Any other advantages or disadvantages on that front? Since the compressed Aux is a parallel feed and is controlled separately, it seems like a good idea. Thanks again for these great tricks. I like this better then the drop down menu where you can do parallel compression in the compressor itself.
    • 8 years ago
    • By: Rohogay
    Reply
  • Rounik Admin
    Good point Victor! Going Pre-Fader would make it easier if the levels are pretty much where you want them... but Post-Fader means any adjustments you make to the original fader level will be reflected on the Parallel channel... which might be what you want... or might not be. Different peeps mix in different ways, so depending on your mixing style and the material you're working with try both post and pre fader. One just makes it easier to adjust the Send level and the original level using one fader essentially.
    • 8 years ago
    • By: Rounik Admin
    Reply
  • Sihunua
    Great tute Rounik. Thanks!
    • 7 years ago
    • By: Sihunua
    Reply
  • HH
    Hi Robert very good and clear, just one question step 4 - using the bus sends for a new submix of the drums. Would it not work if you used the bus send of the group - ie the send section of the group to a new bus - this would be an exact copy of your drums as they are - ie level wise etc Am I missing somthing , are there issues with delay perhalps Best L
    • 7 years ago
    • By: HH
    Reply
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