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在量化的Logic Pro X:如何获得更好的结果使用Q-范围
Darren Burgos on Mon, November 2nd 0 comments
Ever wonder what the mysterious Q-Range settings actually do and how they work when quantising parts in Logic Pro X? Prepare to be educated! Darren Burgos unveils this lesser-known feature here.

逻辑

那么,谁是Q-范围甚至是?你玩按键相当好,并把自己作为一个人具有良好的时机,但弹奏更多的是“让部分下降”这样你就可以继续生产,撰写和整理。你们

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Choose a Quantization Setting 

首先最重要的。 Q-范围要求将已选择的标准量化。这些是相同的值,你

Pic 1

那里

Setting Negative Q-Range Values 

你在Q-Range参数选择的消极和积极的价值观其实很容易,现在明白,你知道,Q-范围有您所选择的量化值始终

Pic 2

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所以,音乐这是为什么好?准备好了吗?

Setting Positive Q-Range Values 

设置正值只量化MIDI音符落在所选的Q-范围值内。如果你的量化值设定为1/16,和您的C-范围设置为正1/96,然后落入一个96音符最接近第十六记下的笔记被量化/绘制到最近的位置。所以不像修复最坏弹奏的音符负值,为什么你要离开坏的,和量化那些最好的时机?好吧,你真不

选择正Q-范围值的注意事项外扩张和收缩的有针对性的音符之间的音符!允许

Pic 3
Tips: Q-Strength works in conjunction with Q-Range… anything below 100% will cause the quantized notes to fall between their original position and perfect quantization. Swing values can be set and utilized with Q-Range also. Q-Range also works when quantizing audio in combination with Flex Mode.

感谢您的阅读!而随意下面发表评论或提问。

 
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