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Tutorial: Real-time Tempo di automazione in ambiente Logic
Rounik Sethi on Sat, November 27th | 10 comments
Learning how to automate levels, pan and virtually any plug-in control in Logic opens a whole world of possibilities when mixing your music. Not only can you draw automation offline but you can also r

Imparare ad automatizzare i livelli, pan e praticamente qualsiasi plug-in di controllo in Logic si apre un intero mondo di possibilità quando si mescolano la tua musica. Non solo è possibile disegnare l'automazione offline ma si può anche registrare l'automazione in tempo reale in troppo. Senza dubbio questo può essere uno degli aspetti più divertenti di miscelazione! Grazie alle tracce di Global Logic, è possibile creare cambi di tempo non in linea. E, se stai cercando di creare cambi di tempo in tempo reale e registrare i movimenti al ritmo tracce di Global Tempo? Ciò sarebbe grande per la creazione di una mappa veloce Tempo o suonare dal vivo. A prima vista sembra che non può essere fatto. Ma mai dire mai quando si tratta di ambiente Logic ...

01 - Introduzione

Open an existing Logic project or create a new one. Create as many tracks as you need plus an extra one. It doesn't matter what type of track as we'll reassign it later.

In questo caso ho creato due tracce audio.

02 - Go Ambientale

Open a New Environment window from Window > Environment (Command+8).
Navigate to the Clicks & Ports layer.

03 - Tempo Fader

In Ambiente Logic è possibile impostare l'ingresso e di uscita per i fader a una pletora di differenti messaggi MIDI. Ci sono alcuni 'preimpostati' fader già impostato per controllare determinate funzioni. Potete trovare un fader per il controllo Tempo qui nel menu del locale ambiente:

Nuovo

You'll get an alert message which warns you that to use the Tempo Fader to record it's values to Logic's Tempo control it must be cabled directly into the Sequencer Input object. Click OK to continue.

Il tuo fader Tempo dovrebbe essere simile a questo.

04 - La dimensione è tutto

You can resize any Environment object by selecting it and dragging on the white square in the lower right corner. The larger the Fader the more accurate you can be when creating tempo changes.

Inoltre, facciamo questa finestra Ambiente in una finestra flottante in modo che appaia sempre in primo piano. Scegliere: Visualizza

05 - Tempo Controllo

Before we cable the new Fader to any other object, try moving the level and look at your Transport Display. You'll notice that we are controlling Logic's tempo!

Tuttavia, se si inizia la riproduzione spostare il Fader Trasporti, premere Stop e riprendere la riproduzione di nuovo, si noterà che il Tempo Logic torna al valore iniziale.

06 - Tracce globale

Prima di proseguire e realizzare il collegamento per consentirci di registrare questi movimenti Tempo dissolvenza in Logic, diamo un'occhiata a come visualizzare il 'ritmo mappa' in Logic.

First up is the Tempo Global Track. Click on the Global Tracks disclosure triangle (or press "G" on your keyboard) to expand the Global Tracks area. Resize the Tempo Global Track as desired.

07 - Lista Tempo

Aprire l'Area Elenchi e fare clic sulla scheda Tempo. Sia la traccia Global Tempo e Lista Tempo forniscono modi alternativi di vedere (e creazione), la mappa del tempo (s) per il progetto.

08 - Cavo si

Ora, al fine di registrare il valore BPM Fader Tempo di scendere in pista Global Tempo è necessario il cavo di uscita del nostro Fader Tempo (nell'ambiente) nel ingresso Sequencer.

Non c'è bisogno di cavi direttamente fino a quando il segnale proveniente dal nostro Fader Tempo raggiunge l'ingresso Sequencer ... Così, per esempio, è possibile trascinare dal triangolo in alto a destra della dissolvenza e collegare il cavo risultante alla funzione "visualizza Input" o oggetto "inserire note", come sono cablati a "Ingresso Sequencer" comunque.

Having said that, I've the cabled the output from my Tempo Fader directly into the Sequencer Input as shown in the image below:

09 - traccia Tempo Nuovo

Questo non è un passo necessario, ma è quello che preferisco fare per mantenere le cose organizzate. Stiamo per cedere i Fader Tempo per una traccia esistente nella zona Arrange. Ci sono 3 semplici modi per farlo, ma il mio metodo preferito è il drag-n-drop.

Position the Environment window so that you can see the Arrange area's Track Headers. If you haven't already done so, now is a good time to create an extra track (any type will do). Now simply drag the Tempo Fader in the Environment window on to a Track Header in the Arrange area to reassign it.

10 - in tempo reale automazione Tempo

L'ultimo passo è quello di posizionare il capo Gioca in cui si desidera iniziare l'automazione del tempo, premere il pulsante di registrazione e iniziare a spostare il fader Tempo come desiderato.

Non vedrete alcuna informazione tempo vengono scritti alla Traccia Global Tempo o Elenco Tempo, mentre

È ora possibile modificare queste informazioni tempo sia nel Tempo o Track List Global Tempo come desiderato.

Vuoi saperne di più logica e suggerimenti Ambiente Logica e trucchi? Ti amo questo tutorial allora !

Comments (10)

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  • Jason
    I know this post is pretty old, but I just found it and found it really helpful! A followup question though: Do you know if there's a way to assign this fader to a physical fader on a midi controller? I've not been able to sort it out. THANKS!
    • 4 years ago
    • By: Jason
    Reply
  • Rounik Admin
    Hi Jason, Sure! What you'll need to do (from memory because I'm not in front of Logic right now) is 1. in the Environment window go to the Clicks & Port layer... 2. Move the physical fader and look at the messages coming through the "Input View". This view will show you the MIDI Control channel | parameter | value... remember the channel and parameter values. 3. go to the Real-time tempo fader in the environment that you've created and select it. 4. In the Inspector on the left change its INPUT channel, "-1-" (parameter) and value range to match the physical values. That should work :-)
    • 4 years ago
    • By: Rounik Admin
    Reply
  • Samu
    Hey Rounik, thank you so much for this really easily understandable and functioning tutorial! I have a question, that is somehow connected to that topic but goes a little bit deeper: - I am Working with audio material! Is there a way to change the Tempo in realtime without having a quality loss? Thank you so much for you help! Cheers, Samuel
    • 4 years ago
    • By: Samu
    Reply
  • Rounik Admin
    Hey Samu, Glad you found the article helpful :) There will always be some kind of quality loss when changing tempo with audio, especially in real-time. Can you describe what it is you're doing in more detail? Perhaps there's another way to approach this. Also, are you using Logic Pro only, or could you use Ableton Live or other software too? Best, Rounik
    • 4 years ago
    • By: Rounik Admin
    Reply
  • Samu
    Hey Rounik, thanks for replying! Seriously, I couldn't find an article like that in any other forum or site! Funny your suggesting Ableton live cause that's what my professor suggested to me too... I was also thinking about using MaxForLife or even MaxMsp since they're communicating so well with Ableton live, are you familiar with that? I'm still at the beginning of the project but it feels like it's gonna get big... It's about Music and running! I will have a constant stream of two open bluetooth signals from a stride sensor and a hear rate sensor coming into MaxMsp (in case I don't come up with something better), calculate a certain value from these and determine the tempo of either a audio material session or a midi session, not sure yet! In case of Midi: depending on the current tempo in the session certain instrument tracks, effects etc. should be activated In case of Audio: Depending on the tempo certain songs (that were loaded into an player and analyzed in advance) should be faded in and played without leaving a break between the different songs so a constant running music is played back! Could I express my idea understandably? Thank you so much for your help and interest, Samuel
    • 4 years ago
    • By: Samu
    Reply
  • Rounik Admin
    Hey Samu, Thanks. This sounds like a really interesting project. I think Ableton might be better suited.. but you can try this in Logic. What I'd suggest doing one of the following. Either: 1. make sure all your audio regions are tempo-enabled apple loops or 2. Create sampler instruments from each audio region and play those back. Now this would work better if the audio is rhythmic rather than melodic, but it'd be an interesting experiment to try! Oh wait... will the audio be recorded in real-time too? will that be from one of the bluetooth signals? Let us know how you get on :)
    • 4 years ago
    • By: Rounik Admin
    Reply
  • Samu
    Hey Rounik, I was messing around with apple loops but thats not the way I'm gonna work, it's not flexible enough... I'm afraid I have to use Ableton (which I never used before) because of the really well functioning "warping algorythm"... Are you exclusively working with Logic?
    • 4 years ago
    • By: Samu
    Reply
  • Samu
    Hello Rounik, it's Samuel again. My project changed a lot and I'm back in Logic. I figured how to use a external hardware device (with knobs etc.) but I have a new problem: I want to send a midi signal form another program (max/msp) to Logic to control the tempo of a midi file. I can see the the values in the input view but can't route them to the tempo fader :( Could you explain me how to do that? Thank in advance!!! Samuel
    • 4 years ago
    • By: Samu
    Reply
  • logicluvva
    Inspiring & as always, thoughtfully paced and therefore fully appreciated. Thanks
    • 8 years ago
    • By: logicluvva
    Reply
  • Rounik Admin
    Thanks logicluvva! Glad this tutorial has been helpful :)
    • 8 years ago
    • By: Rounik Admin
    Reply
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