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Best of the Week, 26th Oct to 2nd Nov, 2014
Rounik Sethi on Sun, November 2nd 0 comments
Concerned you may have missed the best tutorials, reviews and news from the last seven days on AskAudioMag.com? Here's our seven most popular articles from the week past!

Here's our most popular tutorials & reviews from this week just gone on AskAudioMag.com. Check them out below and let us know your favorites...

Review: iZotope Ozone 6

Ozone has long been a favorite of mastering engineers both novice and professional. Will iZotope's Ozone 6 be as compelling as its predecessors?

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Sync Your Controllers in Ableton Live

The good (and forward-thinking) folks at Novation have teamed up with Isotonik Studios to provide a free solution for syncing devices in Ableton Live. Whatever controllers you use with Ableton, this is a must-read!

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Logic Pro X: Creating Beats by Tricking Take Folders

Logic Pro's take folders are great for editing recorded parts of your songs But they can do so much more, especially when it comes to creatively mashing up beats and loops. Bill Burgess shows how.

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Create Full-Spectrum Pads Using Multiband Sidechaining In Ableton Live 9

Multiband sidechaining in Ableton doesn't mean your dynamic full-spectrum pads need to lose their texture and mood. Noah Pred demonstrates how to have your cake and eat it and keep the dance floor moving.

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13 Ways to Make Learning Music Software Less Scary

It's Halloween today, and high time we banish the fear, and instead focus on empowering ourselves. Here's 13 quick tips on how to make learning music software less scary than it might be.

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The Art of Mixing Rock, Part 2: Bass

In this 5-part series, veteran rocker and music technologist, Joe Albano, takes you through the stages for mixing rock music. This second part focuses on mixing rock bass.

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Review: Kurzweil Forte

The Kurzweil Forte features well-designed sounds, an easy to use interface and a useful LCD screen. But does this make it the king of electronic pianos? Matt Vanacoro finds out in this video and written review.

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