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レコードでリバースディレイとリバーブエフェクトを作成する
Mo Volans on Thu, June 2nd 2 comments
One of my favourite methods to create special effects is to use reverse delays and reverbs. It's a great way to produce something a little unusual and enter the world of sound design.

特殊効果を作成するための私のお気に入りのいずれかの方法では、リバースディレイとリバーブを使用することです。これは少し変わったものを作るための素晴らしい方法ですとサウンドデザインの世界に入るための素晴らしい方法です。初心者でもここで行動に得ることができます。


イムは、このチュートリアルではプロペラヘッズのレコードを使用していますが基本的には戻ってディレイとリバーブエフェクトプラグインを搭載、オーディオを再生する機能で任意のDAWを使用することができます。よくそうザッツ、...地球上のほぼすべてのDAW!

01 - 処理するいくつかのオーディオを選択する


First up you’ll need to focus on a specific audio part to process. Here I am using a vocal clip as I find that these effects work very well with vocals. My part is in total isolation so everything is nice and clear but of course if you are working on a project you can complete this process on one part amongst many.

With your audio selected make sure it’s solo’d and playing in total isolation. Now is a good time to check your audio for any faults, clicks, pops or overs. The last thing you need here are any imperfections being amplified by the processing... So make sure your audio is super clean.

The audio that we’ll be treating is isolated

うまく治療される音声は分離されています


The vocal we are going to process is isolated:

[オーディオのid ="6187"]

02 - オーディオの反転


Next open your audio file in your DAW’s audio editor. Record now features a more fully featured editor and has quite a few options for processing, one of which is the reverse function and this is exactly what we are after here!

The audio is reversed

音声が逆になって


Once the audio is reversed play it back to check everything is present and correct. Also double check your levels at this point and ensure that you are working with plenty of headroom, you’re going to need it when the processing is applied.

Our reversed audio is ready

私たちの逆オーディオの準備ができている


The vocal is reversed:

[オーディオのid ="6185"]

03 - リバーブやディレイを適用


For the purpose of this tutorial I have decided to show the effect with both delay and reverb, so I have set up two send / returns in Record’s mixer. I have used Record’s excellent RV7000 Advanced Reverb to produce a very large reverb and a dedicated delay based Combinator to pump out a tape Echo pre-set in the other.

The return effects are added

リターンエフェクトが追加されます


The effects sends in Record’s mixer

効果は、レコードミキサーに送ります


The reversed audio with reverb added:

[オーディオのid ="6186"]

...とステレオディレイ付:

[オーディオのid ="6188"]

これら二つの効果が設定さで私はそれらの両方に私達の逆ボーカルを送信することができた。あなたが以下のクリップで聞くことができるように我々が得ている効果は、すでにかなり特殊です。ここまでは、プロセス途中で約であり、私たちが実行される前に移動する手順をいくつか持っている。

04 - エクスポート効果のみ


We need to export the results of our processing, and there are really two ways to go about this. You can export the whole thing, in other words the audio and effect, or you can export just the effects. 

In this case I exported just the effects stream as I’m a firm believer that this method gives you much more control over the finished product and a more balanced sound in general. 

Record offers some really great features for exporting very specific parts of your mix (an area from which other DAWs could learn a thing or two!). Once you have accessed the ‘Bounce mixer channels’ area you can actually home right in on the specific effects devices and just render their outputs.

Record’s fully featured export window

レコードは、完全に輸出ウィンドウを特色に


With the isolated effects exported they are ready to be brought back into the project and mixed with the original dry parts to create the final effect.

The reverb effect in isolation:

[オーディオのid ="6190"]

[オーディオのid ="6189"]

05 - 再インポートの結果、編集、同期およびミックス


The bounced fx streams can now be imported into a couple of new audio tracks. Once this is complete you can go ahead and reverse all of the audio so everything is technically playing in it’s original state.

Reversing and aligning the tracks

トラックを逆にして整列させる


The newly imported (and reversed) effects audio will now need to be moved around so that it works nicely with the original dry parts. To do this I would strongly advise you to switch off any snap mode. This will allow you to be extremely accurate with the placement and give you a better chance of getting things right.

I generally use any obvious transients to get things in line. Although the effects have often masked much of the dynamic signature you should find this pretty straight forward and the effect files are usually pretty forgiving, so you don’t have to be mathematically correct here!

All the tracks are now aligned

すべてのトラックが並んでいる
Once the files are all in place you can mix their levels to strike a good balance between the  dry and effected files. What you should be left with is a great reverse reverb (or delay) effect. As you have all the files you also have complete control over levels, pan and any further processing you might want to apply.

All the sounds are now mixed to create a good overall balance

すべてのサウンドは、現在良好な全体的なバランスを作成するために混合され、


The reverse reverb effect is mixed with the original vocal:

[オーディオのid ="6191"]

とディレイエフェクトは、混合です。

[オーディオのid ="6192"]

06 - さらに編集とリサイクル


Although the effects already sound great you can always take things a step further if you like. You can cut your effected files up, reverse sections, add automation and even more effects processing if you like. All this can be done without effecting the original files.

Some automation is added to the delay audio

いくつか自動化は、遅延のオーディオに追加されます。


In this case I’ve automated the pan on the delay channel and added some modulation effects to the reverb. The result is a trippy collage of sound that really enhances the vocal phrase. Now go and create your own reverse effects and see what you can create!

Extra effects are also added to our reverse reverb

余分な効果はまた私達のリバースリバーブに追加されます


The final result with the extra effects and automation:

[オーディオのid ="6193"]

Comments (2)

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  • Mk Music Records
    Thanks I will try this one
    • 8 years ago
    • By: Mk Music Records
    Reply
  • Rohogay
    Neat!
    • 8 years ago
    • By: Rohogay
    Reply
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