Backing up your data is possibly the most important step when making music (or anything!) on your Mac. G.W. Childs turns his bad experiences into essential reading for all Logic Pro users.
Logic Pro has some flexible techniques when working with Multi Output instruments. Toby Pitman demonstrates how to create simultaneous audio and MIDI multitrack bounces with EZdrummer in Logic.
Logic's EVP88 can create Rhodes pianos, analog basses, Hammond organs and all manner of realistic & eclectic sounds. In this MPV Free Stuff, Toby Pitman shares 10 excellent Rhodes presets for Logic!
Mac OS upgrades and updates bring with them excitement for new and useful features. Now that the dust has settled, Mo Volans explores the benefits for all audio users across OS X 10.7.
It's a fact: More and more digital musicians are trying their hand at mastering their tracks. Gary Hiebner digs in and looks at one way to do this in Ableton Live using stems.
Flex editing in Logic 9 can correct timing errors, stretch out vocals, adjust the groove of an audio recording and much more. In this article Mike Watkinson uses flex to quantize a sloppy drum part.
Reason is well known for its incredible-sounding instruments and effects and the Pulveriser is no exception. Mo Volans discovers just how capable at distortion this new effects unit is.
For some reason mentioning 'The Environment' strikes terror into the heart of many a Logic user. But it doesn't have to be scary. Peter Schwartz is here to help you work through the fear.
Working with AudioSuite-rendered clips just became much easier. For example, Trimming beyond the boundaries of the edit selection is now possible. Mike Watkinson gets a handle on this new feature.
In theory 32 bit floating point audio is the way forward. But how will it change the way you record and mix in Pro Tools? What are the practical benefits and disadvantages? Mike Watkinson explains.
Trust G.W. Childs IV to come up with another left-field approach when it comes to sound design. In this tutorial G.W. dispenses with the traditional and uses Reason 6's Echo as a distortion effect.
The Elastic Audio features in Pro Tools provide ultimate flexibility (sic) when editing drums and rhythmic parts. Mike Watkinson puts all its modes to the test on vocal performances.
One of the most intriguing abilities in Pro Tools 10 is being able to visually match volume levels dynamically across clips. Rounik Sethi gets to grips with the new Clip-Based Gain feature.
The secret is out. Avid has announced the latest version of their flagship Digital Audio Workstation, Pro Tools 10! And this new version is packed to the brim with new features and improvements.
There's been a flurry of activity at Native Instruments HQ of late. Not content with redefining the way we integrate hardware & software to make music, they've recently announced a new sound library.
There was a time when the jury was out on whether the iPad could be a useful tool for musicians. Then Spectrasonics released Omni TR for iPad. Join Hollin Jones in Part 2 as he delves deeper.
Sound design is one of the most fun pursuits on the planet. And with Logic Pro it's possible to create some truly unheard-of sound effects. Mo stretches, crushes, modulates, and filters his voice
Join Hollin Jones as he explores the finer points to MIDI editing in Cubase 6 and shares 10 MIDI Editing tips from how to create instant harmonies to getting experimental with the Logical Editor.