The latest update to Final Cut Pro (10.0.6) brings with it many useful additions, including native REDCODE RAW support. Ben Balser shares some essential RED tips for FCP X users.
Many of the top artists, DJs and producers are using Apple's MainStage 2 for live performance. Are you? Darren Burgos shares an excellent quick tip on how to use an expression pedal in your live setup
Want an audio and MIDI interface for your Mac and iOS devices? Tascam have an all-in-one solution in the iU2. Mike Watkinson tests it out to the max in this MPVHub review.
Fox News recently approached Adam Goldberg, Special Needs Music Teacher and MPVHub Author, on doing a report on how he uses iPad with his students. The results are incredible. [w/ VIDEO]
One of the marquee features in the FCP X 10.0.6 update is multichannel audio editing. Ben Balser gets deeper and shows the workflow for editing audio in the latest incarnation of Final Cut Pro.
What do you get when you cross Reason's Rack Extension technology with Rob Papen's killer synth, Predator? Predator RE!! G. W. Childs explores how much depth this will add over existing Reason synths.
Find out how to safely adjust colors in Photoshop CS6 without destroying the overall fidelity of your image. Being careful can produce awesome results as Iain Anderson demonstrates.
It's become harder than ever for musicians to make a living releasing albums, however, scoring for video games has provided a major source of revenue. Learn how these two veterans of the Music for Gam
Despite Ableton Live being an awesome studio DAW, it's always still considered by many as the ultimate digital DJing platform. Find out whether DJ & producer, Noah Pred, shares this belief and why.
The next evolution of the revolution that is Final Cut Pro X has arrived! Ben Balser explores the new features from multichannel audio editing to Red camera support, and much more in between!
Working quickly in Logic's Score editor is best possible when you wrap your head (or fingers) around certain key commands. In this tutorial Jay Asher gives you some finger exercises worth doing!
If you have After Effects (and not Maya or Cinema 4D) you can get on the 3D bandwagon by using the Element 3D plug-in. Clay Asbury shows you how in this MPVHub tutorial.
Much of the focus for DJs is on beat matching; getting the rhythm to match or compliment each other. In this tutorial Tadhg Leonard looks at how to mix and match the harmonic element between tracks.
Take a tour of Glitchbreaks for iOS with Mike Watkinson. Find out if this nifty app is the ideal way to cut, glitch and loop your beats on your favorite Apple mobile devices.
What's better than using one UA emulation of Roland's infamous Space Echo units on a track? Two, of course! Rich Tozzoli takes you through some tips and tricks for Universal Audio's RE-201.
There's a whole lot more to brushes in Photoshop CS6 to suit Wacom and mouse-based users. In this tutorial, Iain Anderson explores all the new features to help you brush up on your PS skills.
Get inside the routing and internal bus architecture of Kontakt 5 with Toby Pitman. Doesn't sound exciting? Think again. This tip may well change the way you sub mix and effect groups.
Jody Wisternoff, producer, DJ & melody meister has been crafting electronica for 24 uears. He has been a finalist at the DMC World DJ Championships, is half of Way Out West, and so much more..
Everyone knows how to make wobbles in Reason now, right? Well, even if you do (or don't) this tutorial shows how to keep wobbling in sync with your project using Thor.