No matter what camera you use, the footage you capture will not always be perfect. Clay Asbury shows how to improve footage using Premiere Pro CS6's Warp Stabilizer and Adjustment Layers.
A few months on from its release, Premiere CS6's audio enhancements and features are still not as well acknowledged as they perhaps should be. Hollin Jones sets out to correct this!
When it comes to NLEs, Adobe's Premiere Pro CS6 packs a serious punch! In this article Clay Asbury outlines how to make the most of Premiere's trimming features.
Jeff Greenberg is a Master Adobe, Apple, and Avid Instructor in editorial, compositing, sound, color correction & compression. He popped by The Hub to chat about what's going on in the video world.
In a film, bad video quality is bad. Bad sound quality is even worse! Hollin Jones takes you through the essential steps needed to edit audio from Adobe Premiere in Adobe Audition.
There are many video playback devices, from iPhones to TiVo boxes, and each require video in different formats. David Smith demonstrates how to easily batch export from Premiere for multiple formats.
You've probably seen speed change effects in your favourite movie(s). Hollin Jones takes you through the essentials of speeding up, down and reversing your footage in Adobe Premiere.
It's the final part of this 5-article series comparing Final Cut Pro X & Adobe Premiere Pro. David Smith sits back after a hard day's edit to explore the different export options in both NLEs.
"Video is two-thirds audio", or so the saying goes. Whatever the actual percentage, bad audio can ruin a great film. David Smith takes a tour of audio editing in Final Cut Pro X and Adobe Premiere.
There are more efficient ways to perform editing tasks in Premiere than by using the mouse. David Smith exercises his digits and demonstrates 5 shortcuts every editor needs to know.
Whether you use the built-in or 3rd party audio filters, Premiere provides an intuitive way to apply and control their parameters. Hollin Jones sounds out the basics in Premiere.
Much has been said about the radical new version of Final Cut Pro. So how does it compare to Adobe's Premiere Pro? David Smith contrasts how both NLEs deal with effects and filters.
Much has been said about the radical new version of Final Cut Pro. So how does it compare to Adobe's Premiere Pro ? David Smith contrasts how both NLEs deal with the editing process.
Lots has been written about the radical new version of Final Cut Pro X. So just how does it compare to Adobe's Premiere Pro? David Smith contrasts how both NLEs deal with media capture and management.