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Logic and The Environment, Part 2: The Clicks and Ports Layer
What is Logic Pro's Environment? Following on from Part 1, Peter Schwartz sets out to break it down into bite sized chunks. In this article he focuses on the Clicks and Ports layers.
Jun. 10, 2013
Automating Bit Crusher Effects In Logic Pro
Have you tried adding an edge to your tracks with distortion? It's easy to go over the top... Mo Volans shows how to get an aggressive sound while keeping your mix balanced using Logic Pro.
Feb. 25, 2013
Mixing Up and Processing Beats in Logic Pro
Get crazy this Christmas with your beat processing in Logic Pro. Gary Hiebner shows how to slice beats and shuffle them across multiple tracks to create impressive sounding beats!
Dec. 21, 2012
Logic Pro: Capture Last Take As Recording for MIDI and Audio
You’ve just played the performance of a lifetime but Logic was in playback, not record, mode. All is not lost! Rounik Sethi shows you how to recall your last played MIDI or audio performance!
Jun. 18, 2012
How to Build a Layered Instrument in Logic Pro
Layering synths or sampler instruments can make fatter sounds, and also add sonic variations to your songs. In a few simple steps in Logic's Environment, Gary Hiebner creates a huge layered instrument
Jun. 1, 2012
Quick Swipe Splice Editing in Logic Pro
Darren Burgos gets his chops together in this step by step on how to quickly create Electro and Dubstep style stop/chop audio effects using Take Folders in Logic Pro.
Mar. 12, 2012
Creating Multitrack Bounces With EZdrummer In Logic Pro
Logic Pro has some flexible techniques when working with Multi Output instruments. Toby Pitman demonstrates how to create simultaneous audio and MIDI multitrack bounces with EZdrummer in Logic.
Nov. 4, 2011
Speed Up, Slow Down With Speed Fades in Logic 9
Logic 9's Speed Fades can bring an analogue turn-table or tape style effect to your tracks. Speed Fades are essentially the same as using the Fade parameters on audio regions, but with one important
Apr. 22, 2010
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