If you want to make advanced corrections simply and effectively in Final Cut Pro X, Denver Riddle's Color Finale might be just what you need. Iain Anderson investigates.
Shooting with a Blackmagic cinema camera? Want to understand differences between Film and Video modes and make your footage look its best using Coremelt effects? You've come to the right place!
Color grading apps have come a long way in the past few years. Now Technicolor, the folks who know color better than most, have brought out Color Assist. Ben Balser grades the results in this review.
Shooting video for tv, film, commercials or pleasure? Whatever the purpose it's important to get to grips with color correction in Adobe Premiere Pro. Clay Asbury runs through a practical guide.
It's usually best to apply color correction manually to your photos But, there are times when applying auto correction can save time & produce interesting results. David Smith shows how in Photoshop.
Getting that big-screen Hollywood film look, like in Transformers 3, is very possible in Final Cut Pro X. David Smith delves into FCP X's Vectorscope and Waveform Editor to great effect.
Color is dead. Long live the new color correction tools built right in to Final Cut Pro X! David Smith explores how good they really are for adjusting the exposure levels in your video footage.
OK, who's this guy? I don't know either, but I don't think he's really Italian. However, he is going to be useful in helping to introduce you to After Effects' most basic color correction tools.
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