It's easier than you might think to create your own multiband effects from scratch in FL Studio. Gary Hiebner is on hand to show you exactly how it works.
Avid is offering a bundle of bonus plug-in effects for users to purchase or renew their subscription. Joe Albano breaks down what each of the plugs brings to the table.
PO-32 Tonic from Teenage Engineering puts a wealth of cool FX at your fingertips. Here's a hands-on example of how to program, tweak and record them in real time.
If you want instant Boards of Canada style sounds then the Cimmerian Caves effects unit we featured on AskAudio, back in July 2016, is one to consider. Good news is it will begin shipping next week.
Behringer are cranking out videos for the DeepMind 12 at an ever increasing rate. The $999 price is public knowledge so it makes sense to share these overview videos sooner rather than later.
ARPS is an arpeggiator instrument for Kontakt that uses 4 separate layers of sampled percussive sounds to provide rhythmic patterns. GW Childs discovers why big name composers rave about it.
Looking for unique ways to come up with new musical ideas? Sugar Bytes' Obsucrium is one plugin you shouldn't pass by. Toby Pitman demonstrates how easy it is to make arpeggiated lead lines with it.
Imagine mini synth or effect modules you can program and connect to each other and you may be getting closer to understanding how awesome Patchblocks are. G.W. Childs discovers something truly unique.
Return tracks can serve multiple purposes. CPU efficient use of effects, effects for multiple tracks, and more. GW Childs shows how to use return tracks for building effects chains in Ableton Live.
You may already know how use an effects return in Logic, but using dynamic effects plug-ins in conjunction with returns can make your creative effects even more... creative!
PreSonus Studio One V2 comes with an impressive selection of bundled effects. But, at some point you'll want to build your own effects chains. Gary Hiebner shows you how.
When composing for game, film or other music, it's important to make our sounds stand out from the crowd. Josh Aker (Infinity Blade I & II composer) shows how to create your own BIG & awesome sounds.
Audio Damage has built up a reputation of producing audio plug-ins that live up their name (in a good way!) Toby Pitman discovers their latest offering, Bitcom, provides many levels of destruction.
Is Native Instruments Guitar Rig designed only for guitarists? Simple answer: No! Mo Volans discovers just how useful a tool GR is for processing guitars as it is for a wide variety of other sources.
Us Reason cats spend a lot of time slinging those cables all over the place and stacking effects to get that unique sound that makes a lead, bass, loop, or whatever you're working on. But, with all...
When it comes to processing your sounds there are literally endless lists of plug-ins to choose from. With all this choice it's quite likely that you've overlooked one key device in your collection, t
Apple's iMovie has always been targeted at the consumer video makers market. But don't let the low price tag or the fact iLife is bundled free with every new Mac fool you. iMovie '11 packs a powerful