Logic Pro's Hyper Editor isn't the prettiest to look at - but is incredibly powerful and useful. Gary Hiebner shows how to use the Hyper Editor to jump between Program changes and pitch changes.
In Logic Pro there doesn't seem to be an easy way to randomize or humanize a MIDI performance. Jay Asher uncovers the Transform window where you'll find many excellent ways to manipulate MIDI.
In continuation of the recent MIDI Editing Quick Tip: The Art of Selection, I'd like to share one essential and marvelous work flow tip that can save you huge amounts of time. If you've ever needed to
Logic has always been very strong in the MIDI department. Despite the introduction of advanced audio editing features in Logic 9, such as Flex Time, MIDI is still king of the hill and the easiest and