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Logic Pro: Controlling Multiple Channel Strip Parameters
What separates Logic Pro from Pro Tools and other traditional DAWs? Not just its high quality instruments and effects, but also the power in its Environment. Ruari Galbraith gets environmental.
Sep. 6, 2012
Utilising Split Stereo Files in Logic Pro
Pro Tools aficionados will be used to dealing with split stereo files. For Logic users, working with interleaved files has been the norm. So, what if you need to isolate each channel in Logic Pro?
Sep. 3, 2012
Markers: the Ultimate Project Navigation Technique in Logic Pro 9
Navigating complex, or even simple, projects in Logic can be a pain if you use a mouse! With a number of useful workflows at your disposal, Jay Asher demonstrates how Markers can simplify the process.
Aug. 22, 2012
Using an Input Channel Strip in Logic Pro 9 to Record Audio with Software FX
What are the benefits to recording the fx direct to audio recording in Logic or any DAW? Why would you want to do this and how would you set it up? Jay Asher talks the theory and shows you how!
Aug. 17, 2012
Control a Wobble Bass Using a MIDI Note in Logic Pro
Wobble? Wub-wub-wubub-wub. You guessed it we're talking Dubstep and how to change LFO rates by pressing a MIDI note in Logic. David Earl shows how using Logic's Environment everyone can wobble.
Aug. 7, 2012
Gate Techniques in Logic Pro
We've all heard it: rhythmic stutters on a Trance pad or a chopped-up pumping synth line. Wouldn't it be great to know how to make this effect? Darren Burgos demonstrates 3 ways to get gating in Logic
Jul. 23, 2012
Creating Apple Loops Using The Apple Loops Utility
Did you know there's a little known utility bundled with Logic Studio that allows you to create your own Apple Loops? Mo Volans gets looping with ease.
Jul. 16, 2012
Get Dirty with the ESM in Logic Pro
Get down and dirty with GW Childs as he explores the simpler side of synth programming of Logic Pro's ES M. Starting with a clean, pure bass he shows how to add some grime!
G.W. Childs IV
Jul. 5, 2012
Making EDM Drum Fills in Logic Pro
Adding variation to your songs in Logic Pro, or any DAW, will help keep the listener's attention. Mo Volans shows how to add drum fills EDM style that'll breathe new life into your arrangement.
Jun. 25, 2012
Logic Pro: Capture Last Take As Recording for MIDI and Audio
You've just played the performance of a lifetime but Logic was in playback, not record, mode. All is not lost! Rounik Sethi shows you how to recall your last played MIDI or audio performance!
Jun. 18, 2012
How to Build a Layered Instrument in Logic Pro
Layering synths or sampler instruments can make fatter sounds, and also add sonic variations to your songs. In a few simple steps in Logic's Environment, Gary Hiebner creates a huge layered instrument
Jun. 1, 2012
Logic Pro Environment: A Cordial One Using Chord Memorizers
Afraid of Logic Pro's Environment? Don't be! In this article, Adam Goldberg shows how he sets up Logic's Chord Memorizer for his Special Needs music students to help them create wonderful sounds!
May. 28, 2012
Logic Pro's Balancing Act
Panpots in Logic don't behave the same for mono and stereo channel strips. Peter Schwartz gets to the heart of the mix in Logic Pro and demystifies pan and balance in this excellent article.
May. 18, 2012
Using Ringshifter For Pitch Effects in Logic Pro
Check out this excellent tip on how to use Logic Pro's Ringshifter plug-in to create a variety of guitar effects like the Boss Octaver and the Octafuzz. Toby Pitman gets creative.
May. 7, 2012
Logic Pro: Get Creative with Region Parameters
Once you've recorded MIDI notes into Logic Pro there's a host of ways to alter the performance. Darren Burgos examines how to make use of the Region parameters area. + download Logic Project.
May. 2, 2012
Humanizing MIDI Notes in Logic Pro 9
In Logic Pro there doesn't seem to be an easy way to randomize or humanize a MIDI performance. Jay Asher uncovers the Transform window where you'll find many excellent ways to manipulate MIDI.
Apr. 27, 2012
Tracking with Dynamics Processors in Logic Pro
With 24-bit digital recording and better analog to digital converters than ever before, is there any point using dynamic processors when recording? Mike Watkinson examines the benefits.
Feb. 27, 2012
The Magic of White Noise in Logic Pro
White noise has many creative uses, from snares to kick drums and even lead sounds! Logic expert, David Earl, explores of all these in Logic Pro's ESP instrument.
Jan. 31, 2012
Top 5 Reasons NOT to be Afraid of Logic's Environment
For some reason mentioning 'The Environment' strikes terror into the heart of many a Logic user. But it doesn't have to be scary. Peter Schwartz is here to help you work through the fear.
Oct. 26, 2011
Making Whole Project Edits in Logic Pro
Turning your ideas into a music doesn't stop once you've finished recording. These tips on arranging your project will help you save time when experimenting with your arrangement in Logic Pro.
Sep. 5, 2011
Split-Band Processing Bass in Logic Pro
There are many ways to process a sound. Splitting the frequency bands so you can apply DSP effects to separate frequencies is one way. Gary Hiebner shows you how it's done.
Sep. 2, 2011
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