Whenever your favorite piece of software receives a major update, it's usually the changes to the user interface that will at first delight or annoy you. Take a look at what's new in Logic Pro X.
So, you want to roundtrip between Final Cut Pro X and Logic Pro X? Good news: Logic Pro X now reads and writes FCPXML. Ben Balser shows three ways to get both these apps talking to each other.
Logic Pro X is 64-bit through and through without an audio unit bridge. Some users are dependent on 32-bit plug-ins like Sylenth, so in this tutorial Rounik Sethi shows how to run them in Logic Pro X.
If you want to play impossible (or just tricky) patterns and chords on your keyboard, Logic Pro X's Chord Trigger is the MIDI FX plug-in of your dreams. G. W. Childs tests it out.
A frequently overlooked workflow enhancer in Logic Pro 9 is the Alias. These MIDI regions contain no actual data, they refer to another MIDI region or Folder and say 'Look over there!"
Want to get arpeggiating in Logic Pro? There's two main ways to set this up inside Logic... but wait, with an iPad you can get hands-on thanks to StepPolyArp app. Darren Burgos shows how.
Logic Pro's Score Editor is both powerful and perhaps under appreciated. Jay Asher looks to remedy the later by revealing how to put the Layout Tool to best use.
Loops are great. But loops can also become mind-numbingly repetitive, too. Darren Burgos, however, has a solution to adding distinct, musical variations using a MIDI controller and Logic Pro.
What is Logic Pro's Environment? Following on from Part 1, Peter Schwartz sets out to break it down into bite sized chunks. In this article he focuses on the Clicks and Ports layers.
What is Logic's Environment? Does the mere mention of it strike fear into your very soul? Peter Schwartz is here in this Logic series to banish misconceptions and break it all down nice and easy.
From Halo to Call of Duty, shooters are a popular genre of video game. David Earl takes to the battlefield and uses Logic Pro to create realistic automatic gun effects.
If you like the idea that 'prevention is better than the cure' and use Logic Pro, join Jay Asher in this article as he walks you through how to avoid problems before they happen!
The Marquee Stripe is a hidden gem, your Logic buddy, something you're likely to call on when arranging your compositions in Logic Pro. Jay Asher demonstrates its power in this tutorial.
Chances are as a Logic Pro user you've used (if not created your own) sampler instruments using the EXS24. In this article Mike Watkinson explores a trusted way to move these to another Mac.
Want to sit back and let the music happen automatically? Well then, you'll love this tutorial on creating generative music using FXpansion's Tremor and Apple's Logic Pro 9.
When Logic Pro went 64-bit many people rejoiced. But the potential to load more samples into RAM brought a downside... the export audio back to video was broken. Peter Schwartz explores workarounds.
What to do when you've already raided your existing sample libraries and synth presets when looking for noise-based percussive sounds? Turn to Logic Pro's ES1 and create your own!
Music is all about the groove. In this tutorial Darren Burgos gets down and dirty in Logic Pro and shows you how to create your own custom grooves that'll spice up your tracks.
Mike Watkinson, ADE, shows how to quickly and effortlessly create a solo violin sampled instrument in Logic Pro - something strangely lacking in the included content for Apple's flagship DAW.
The time of being tangled up by wires connecting the various devices in your studio together is coming to an end. Adam Goldberg takes a wireless approach when connecting devices to Logic Pro.
Have you tried adding an edge to your tracks with distortion? It's easy to go over the top... Mo Volans shows how to get an aggressive sound while keeping your mix balanced using Logic Pro.