Automation is often a big part of most Logic projects. In this tip Darren Burgos shows you how to create your own preset patterns you can apply to any automation parameter. A must read!
Logic's routing and bussing system is extremely flexible and lends itself to the creation of simple or complex sub mixes. Using his extensive experience and Logic mastery, Toby Pitman shows how.
Learn how to get some crazy pitch modulation effects going in Logic Pro with this step-by-step tutorial by Gary Hiebner. Traditionally used on guitars, who can apply them any type of sound you wish!
What are the benefits to recording the fx direct to audio recording in Logic or any DAW? Why would you want to do this and how would you set it up? Jay Asher talks the theory and shows you how!
Wobble? Wub-wub-wubub-wub. You guessed it we're talking Dubstep and how to change LFO rates by pressing a MIDI note in Logic. David Earl shows how using Logic's Environment everyone can wobble.
Did you know there's a little known utility bundled with Logic Studio that allows you to create your own Apple Loops? Mo Volans gets looping with ease.
Talking basses aren't new, but they're seeing a revival in musical styles, from Dubstep to pop. Gary Hiebner demonstrates how to get that vowel, formant, talking bass style synth using Logic Pro's ES2
Get down and dirty with GW Childs as he explores the simpler side of synth programming of Logic Pro's ES M. Starting with a clean, pure bass he shows how to add some grime!
Jay Asher continues to share his vast practical experience using Logic Pro professionally with this excellent article on working with rhythmic display in time signatures in Logic Pro's Score Editor.
Adding variation to your songs in Logic Pro, or any DAW, will help keep the listener's attention. Mo Volans shows how to add drum fills EDM style that'll breathe new life into your arrangement.
Logic Pro has some excellent scoring to movie features'¦ David Earl demonstrates how to set up a project to spot to cues for an efficient and easy to navigate composing workflow.
Layering synths or sampler instruments can make fatter sounds, and also add sonic variations to your songs. In a few simple steps in Logic's Environment, Gary Hiebner creates a huge layered instrument
Afraid of Logic Pro's Environment? Don't be! In this article, Adam Goldberg shows how he sets up Logic's Chord Memorizer for his Special Needs music students to help them create wonderful sounds!
There's hope if your keyboard skills can't keep pace with your musical ideas! Darren Burgos explores how recording MIDI in Logic Pro's cycle mode can alleviate stress and make you more creative.
Panpots in Logic don't behave the same for mono and stereo channel strips. Peter Schwartz gets to the heart of the mix in Logic Pro and demystifies pan and balance in this excellent article.
Check out this excellent tip on how to use Logic Pro's Ringshifter plug-in to create a variety of guitar effects like the Boss Octaver and the Octafuzz. Toby Pitman gets creative.
Once you've recorded MIDI notes into Logic Pro there's a host of ways to alter the performance. Darren Burgos examines how to make use of the Region parameters area. + download Logic Project.
Find out why Logic Pro and iPads are on the list of gear that Special Needs Music teacher, Adam Goldberg, relies upon. If you're setting up a studio or music classroom this is an essential read!
In Logic Pro there doesn't seem to be an easy way to randomize or humanize a MIDI performance. Jay Asher uncovers the Transform window where you'll find many excellent ways to manipulate MIDI.
Made a mistake when recording? No problem. Mike Watkinson shows how the old skool method of punching in and punching out in Logic Pro can be used to make it sound perfect.
Pedalboard in Logic Pro isn't just of guitarists. In this article, Mo Volans demonstrates how beats and drums can be processed with the suite of guitar style pedals for interesting effects.