For some reason mentioning 'The Environment' strikes terror into the heart of many a Logic user. But it doesn't have to be scary. Peter Schwartz is here to help you work through the fear.
Let's face it: Logic Pro is as deep as it's ever been, which means there are always some essential production tips you may not have come across before. Here are 5 workflows to add to your repertoire.
There are many ways to process a sound. Splitting the frequency bands so you can apply DSP effects to separate frequencies is one way. Gary Hiebner shows you how it's done.
Peter Schwartz, the Logic and MIDI Guru has returned with another exclusive tutorial for The MPV Hub. Learn how to get the most out of the N-Tuplet symbol in Logic's Score Editor.
Fixing the timing of recorded audio, especially drums has fast become an essential staple for digital musicians and producers. But how can you mimic Beat Detective in Logic Pro? Is it easier in Logic?
Logic contains multiple editors to help you edit your audio and MIDI regions, respectively. And, when editing regions, it's imperative to understand how the link modes alter what the editor displays.
Whether invented by accident by Les Paul or, as others say, by Ken Townsend at Abbey Road in 1966 (and used on John Lennon's voice), automatic double tracking (ADT) is a way of thickening...
In today's tip we'll explore some of Logic's powerful, yet underused Automation features. There are two types of Automation: Track-based and Region-based (HyperDraw - not to be confused with the Hyp