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Interview: PHON.O on Ableton Live, Push, Thom Yorke and Sampling Unique Sounds
If you've ever seen Thom Yorke DJing, you may have heard the intriguing beats of the track, Fukushima. We caught up with PHON.O, the artist responsible, and talked about Ableton Push, sampling & more.
Aug. 6, 2013
Review: Kilohearts Disperser
Kilohearts Disperser is a transient shaper designed to make things bigger, thicker and fatter. G. W. Childs takes a look to find out if this plug-in will form an essential part of his collection.
G.W. Childs IV
Jun. 1, 2013
How to Get That Analog Tape Sound Using UAudio's Studer A800
You want a warm, punchy sound, right? We all like that analog tape sound in this digital world. That's why Rich Tozzoli has turned to Universal Audio's Studer A800 for that extra punchy sound!
Apr. 22, 2013
Real-Schmeal. Give Your Sample-Based Orchestral Pieces the Gift of Creativity
Is it desirable, to make your sample-based instruments sound as close to the "real-thing" as possible? Jay Asher suggests an alternative approach when creating orchestral pieces in your DAW.
Apr. 13, 2013
5 Ways To Add More Low-End To Your Mix
Making your mixes fatter (in the low-end section) needn't involve overzealous use of plug-ins. Mo Volans shares his experience with these tricks for deepening the rumbles in your mix.
Mar. 20, 2013
Reducing Stereo Width For Focused Bass Sounds
Is your bass a bit muddy? Spreading over the left and right channels in an unwanted way? Mo Volans comes to your rescue in this tip on how to reduce the stereo width of that untamed bass in your mixes
Feb. 16, 2013
MPV and iZotope Remix Contest Results (with Video)
There were a host of iZotope plug-ins, like Alloy 2, Trash 2 & Stutter Edit up for grabs from our 3rd MPV SongCraft Remix Contest! The results are in. Find out who won!
Feb. 14, 2013
Mixing Tip: Tame Bright Drums Using UA Studer A800
What comes to mind when you think about the sound of analog tape? Warmth, punch, low-end beef, controlled distortion? Grammy-nominated Rich Tozzoli shows how digital doesn't need to sound digital!
Aug. 3, 2012
Hollin Jone's Mixing Tips, Part 1
Mixing. It's an art form arguably more important than the arrangement of your track. Asking an experienced pro, like Hollin Jones, for tips is one sure-fire way to improve your mix. Read on for more!
May. 23, 2012
Logic Pro: Make Gritty Beats Using Parallel Saturation
No one likes flat, lifeless drum tracks... And yours don't need to be either! Gary Hiebner digs out this tip on adding saturation to your beats in Logic Pro from his bag of music production tricks.
Mar. 29, 2012
5 Essential Cubase Mixing Tips
When it comes to mixing (or remixing in fact) Mo Volans is an expert in his field. In this article he shares 5 of his favorite mixing tips for Cubase users.
Feb. 7, 2012
Creating Mix Stems in Logic Pro 9
Logic Pro expert author, trainer and film composer, Jay Asher, explains how to create stems in Logic Pro 9, and why this makes it easier and more efficient when it comes to the mixing process.
Feb. 3, 2012
Mixing and Mastering Music: What's the Difference?
The terms Mixing and Mastering are often confused. Both are very distinct processes. In this article DJ Wolfie outlines the differences between them both and shares some DAW independent Mixing Tips.
Aug. 11, 2011
Logic Tutorial: Discover How to Use Send Returns in Logic 9
Working with effects in Logic is easy! Slap on an insert effect on the track and it's audio signal passes through that effect and gets processed. Well, there's another way which can give you more refi
Feb. 12, 2011
Quick Tip : Subtractive vs additive equalization
When enhancing your sounds with EQ there is a fine line between a light sweetening and an over-colored, or over-hyped end result. Most of the time any negative results are due to too much additive equ
Jan. 14, 2011
10 Essential Music Mixing Tips
Spacious. Interesting. Wide. Powerful. Clear. Cohesive. Punchy... These are some words that might be used to describe a good mix. But mixing is not a one-size-fits-all art or science. There is no one
Aug. 12, 2010
Mixing: Creating 3D space in your Mix
If you have done research into how the Pro's approach Mixing, you've undoubtedly come across information such as to Mix at low levels, listening to your mix in mono and how important it is to give you
Aug. 8, 2010
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