From Rack Extensions to iOS apps to awesome hardware interfaces, Propellerhead have been busy creating! You can too (be busy creating, that is). GW Childs runs through how to create your own Refills.
So, you've got the hang of designing sounds for and programming your beats? Next up is processing and mixing them. Mo Volans takes a step-by-step approach for destroying them with Reason's Scream 4.
If you're feeling like a goody-two shoes today then skip this article. Seriously, don't click to read more'¦ unless, that is, you're ready for GW Childs to seduce you with evil leads in Reason 6.
Switch on the radio or TV and you'll hear the use of samples in music or foley. They're everywhere! G.W. Childs shares 3 tips for Propellerhead Reason users on making best use of our sample libraries.
With so many instruments and effects to choose from, how do you go about improving your lead sounds in Reason? Simple. Read and follow along with this step-by-step article by G. W. Childs.
Reason 6 is packed with instruments, effects, little-known shortcuts and tricks. But at first glance there is no high-pass filter'¦ or is there? Mo Volans digs below the surface to undercover this gem.
What do you get when you combine Propellerhead Reason's Rack modules with some Photoshop trickery and skill? Answer: Your own personalized, modded backdrops in Reason. Toby Pitman gets hacking.
What is Reason 6's Pulveriser? Why is it so darn good for Bass modulation? How can you create excellent DubStep wobbles using it? G.W. Childs answers all the above!
The Novation Launchpad is well known as being an excellent (and inexpensive) controller for Ableton Live. So, G.W. Childs went on a journey to discover how to make it work well for Reason users, too.
Toby Pitman shows how the Matrix Pattern Sequencer can be used to control different sound characteristic of a loop. Basically, we're talking audio animation in Reason 6!
The Matrix in Reason can perform some excellent tricks. G.W. Childs, the ReasonMeister, reveals how to create custom gate patterns for the Alligator and use the Matrix for Drums.
With some excellent 3rd party time-stretching algorithms available is there any need for DAWs to provide their own? Mo Volans investigates time-stretching in Reason 6 and shares his excitement!
Vocoding seems to capture the imagination of every musical genre whether it's used on the voice or other instruments. G.W. Childs exercises his vocal chords and synthetic sensibilities in Reason 6.
Reason is well known for its incredible-sounding instruments and effects and the Pulveriser is no exception. Mo Volans discovers just how capable at distortion this new effects unit is.
Trust G.W. Childs IV to come up with another left-field approach when it comes to sound design. In this tutorial G.W. dispenses with the traditional and uses Reason 6's Echo as a distortion effect.
Reason 6's new device, Alligator, can transform even the most uniform of pads into a twisted, rhythmic groove. GW Childs sinks his teeth into this one.
The Daft Punk Sons of Flynn soundtrack for Tron was arguably one of the best bits of film music from 2010. G.W. Childs is still rocking to it and shows how to create the arpeggiations in Reason 6.
The new audio procedures in Reason 6 may leave some old school Reason users confused. However, it's well worth the effort to learn how these powerful audio features work. G.W. Childs investigates!
Every DAW has a mixer so what makes Reason 6's new mixing console stand out from the pack? Mo Volans breaks down each aspect of this console from the SSL-modeled format to the master bus compressor.
Hardware controllers remain ever popular for digital musicians. But with the limitless number of devices, and therefore, parameters in Reason how can they all be controlled? Enter Remote Overrides...