The Matrix in Reason can perform some excellent tricks. G.W. Childs, the ReasonMeister, reveals how to create custom gate patterns for the Alligator and use the Matrix for Drums.
Vocoding seems to capture the imagination of every musical genre whether it's used on the voice or other instruments. G.W. Childs exercises his vocal chords and synthetic sensibilities in Reason 6.
Hardware controllers remain ever popular for digital musicians. But with the limitless number of devices, and therefore, parameters in Reason how can they all be controlled? Enter Remote Overrides...
Creating Combinators in Reason 6 provides a custom mix of your own sounds in one 'box', and allows for all sorts of wizardry and creativity. G.W. Childs brings it all together for Hip-Hop lovers.
Learn how to recreate the grooving bass sound from the club-land classic hit track, Dirty Vegas' "Days Go By" using in Reason. This hypnotic bass groove will grab you and your listeners.
In this Sound Design tutorial, GW Childs reminisces about love, life and music. In the process he shares how to use Reason to create the guitar section from Lil' Wayne's sultry classic, 'How to Love'.
Getting fatter basses in Reason became a lot easier when Thor was introduced. But there's a more old school method to getting distinctive, bigger bass sounds. G.W. reveals his tricks of the trade.
Audio ambience is crucial in both the audio and video world! In this tutorial GW Childs IV, veteran video game sound designer, shows his secrets behind using Reason as an ambient machine!
One of the most overlooked tools in Reason has to be the LFOs present in synthesizers like the Subtractor, Malstrom, Thor, etc. GW Childs take a closer look at the available LFOs in Reason.