iZotope RX is the industry-standard audio repair tool to restore damaged, noisy audio into a more pristine state. Joe Albano discovers the joys of version 8 in our in-depth review.
If you've dreamed of gettign the sounds and editing capabilties of the Roland Jupiter X and Fantom synths without the hardware and keyboard then Zenology is going to grab you.
Matt Vanacoro puts Finegear's Dust Collector to the test to find out whether it's a go-to hardware FX machine or whether it will indeed collect dust in your studio.
Fluid Audio's FX50 studio monitors are just shy of $150 each. Does the modest price reflect in the quality? Matt Vanacoro discovers just how good they really are.
Well, Komplete 13 is finally here and it’s a doozy... or is it? Matt Vanacoro digs right in to this super-comprehensive collection of tools for producers, sound designers and composers.
If you’ve ever wanted to hear recorded music in its purest form, OLLO Audio might have just the ticket. Hollin Jones road tests the S4X Reference Headphones.
When Akai released the original MPC Live it caused quite a stir combining professional features with MPC workflow and studio and synth connectivity. Rishabh Rajan discovers how the MPC Live II fares.
Heavyocity’s MOSAIC family welcomes a new member and this time it brings the sound of tape - and much more - to your tracks. Hollin Jones loads up MOSAIC TAPE…
Heavyocity shook up the cinematic scoring world with the Damage percussive instrument and now they’re back with version 2. Hollin Jones gets scoring with it…
In this world-first video review of the new Generate synthesizer from Eventide and New Fangled Audio Rishabh Rajan explores the sound design potential of this truly unique software instrument.
Continuing their tradition of creating virtual models of hardware effects, Arturia have released a trifecta of modulation fx. Is this holy trinity of modulation fx something you will actually use?
With its new interface, VST expression maps and other excellent features, Matt Vanacoro puts Steinberg's Dorico 3.5 professional notation software to the test.
Does Eventide's CrushStation tread the same, overdrive path as other distortion plugins, or can it offer a usable and unique sonic palette for the modern producer? Hollin Jones gears up to find out.
The new semi-modular polyrhythmic analog synthesizer from Moog, Subharmonicon, just got a major, in-depth video review from Rishabh Rajan. This is the video you'll want to watch.