or browse by category
Take a 21 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 104 - Clarinets, Saxophones and Bassoons.
Get a mark of 80% or higher to pass this quiz!
The clarinet’s low range…
has a smooth level of projection throughout.
tends to honkiness like the oboe’s lower register.
tends to be weaker and more wavering like the flute’s lower register.
is composed of highly compressed partials.
Saxophones use a double-reed mouthpiece very much like a bassoon. True or false?
The unison doubling of two exposed clarinets…
blends together imperceptibly as a single tone.
has a phased sound.
sounds cutting and trumpet-like.
A good rule of thumb in scoring orchestral saxophones is to…
join with similar-sounding instruments for a less integrated texture.
use similar-sounding instruments when you want to highlight the part.
avoid similar-sounding instruments when you want to highlight the part.
always treat saxophones as soloists and never try to blend them.
Bassoons sound great in alliances…
only with lower brass instruments like trombones and tubas.
only with other members of the wind section.
only with lower string instruments like cellos and double basses.
with nearly every other instrument in the orchestra.
The jazz saxophone mouthpiece tends to make the instrument louder. True or false?
The bassoon’s low register comprises 20 fundamental tones. True or false?
The E-flat clarinet should be used…
for its specific timbre in any given register.
instead of piccolo flute wherever possible.
especially for its rich low register.
for playing any high clarinet solo passage.
The contrabass clarinet sounds…
an octave and a major 6th lower than the B-flat clarinet.
a major 9th lower than the B-flat clarinet.
two octaves lower than the B-flat clarinet.
two octaves and a major 2nd lower than the B-flat clarinet.
In Tchaikovsky’s 6th Symphony, the bass clarinet is often called upon to…
substitute for solo bassoon.
substitute for solo clarinet.
substitute for solo English horn.
dove-tail a phrase from solo oboe.
The basset horn’s written notes sound…
down a major 6th like alto clarinet and alto saxophone.
down a perfect 5th exactly like the French horn and English horn.
down an octave like bass clarinet.
down a minor third like oboe d’amore.
The lowest note of the tenor saxophone reaches…
a minor 3rd below the lowest note of the viola.
an octave above the lowest note of the bassoon.
a major 3rd below the lowest note of the viola.
an octave below the lowest note of the viola.
The German system of bass clef notation…
uses bass clef sounding down a major second, and should no longer be used.
uses bass clef sounding down a major second, and is the preferred approach.
uses treble clef sounding down a major ninth, and is the preferred approach.
uses bass clef sounding down a major ninth, and should no longer be used.
Changeovers between bassoon and contrabassoon are relatively fast and simple. True or false?
Clarinets don’t use vibrato in their normal approach to playing concert music. True or false?
The best way to hold onto the information you’ve learned in this course is to…
move quickly on to studying the brass section because woodwinds don’t matter.
watch this course over and over and don’t worry about anything else.
get an orchestration manual, score-read, and compose for musicians directly.
The buzzy, reedy quality of the saxophone tends to get…
stay the same throughout the ranges and registers of all saxophones.
more pronounced the lower the pitch of the note and range of the instrument.
less pronounced the lower the pitch of the note and range of the instrument.
There are three individual families of orchestral woodwind instruments. True or false?
The A clarinet…
is largely unnecessary in concert music scoring.
has a much much darker sound than the B-flat clarinet.
is just as prevalent an instrument as B-flat clarinet in all styles and levels of music.
is chiefly used for the ease of fingering sharp keys.
The contrabassoon’s projection…
is louder than the lower brass.
can be easily swamped by the lower brass.
is about equal to the lower brass.
The bassoon’s tone…
gains richness toward the top and loses richness toward the bottom of its range.
is richest in its middle register.
is equally rich throughout its range.
gains richness toward the bottom and loses richness toward the top of its range.
Clarinets, Saxophones and Bassoons
You have answered
out of 21
to take this quiz.
If you do not have an account, please
Get Your Grade
Nice try! Unfortunately you didn't have enough correct answers to pass the quiz. No sweat! You can retake a quiz once per day.
You need 80% to pass this quiz
Back to the Course
View My Grades
How are we doing?
We'd love your thoughts, feedback and questions regarding our new site. All feedback is appreciated!
We do not respond to this form! If you need support, please visit our
Thank you for your input!
Your message has been successfully sent
Don't Know Where To Start?
Ask A Course Advisor
Copy the link below and paste it into an email, forum, or Facebook to share this with your friends.
Make money when you share our links
Become a macProVideo.com Affiliate!
The current affiliate rate is: 50%
Classes Start Next Week!
Live 8-week Online Certification Classes for:
Logic Pro X