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Take a 25 question quiz to test and certify your knowledge of the tutorial-video course
Orchestration 301 - The MIDI Orchestra - Enhancing Realism.
Get a mark of 80% or higher to pass this quiz!
1
How is it possible to create realistic sounding mockups with just one sample library?
Only by using a high-end, expensive library
By playing to the strengths of the samples
It's not possible because every library has a imited range of musical emotions that it can express
Only if the library features dynamic crossfading between sample layers
2
Which of the following instrument is not touch-sensitive?
Harpsichord
Marimba
Celesta
Xylophone
3
The expressive range of Vienna Instruments can be greatly enhanced by:
playing most sounds using the normal velocity switching mode
enabling the velocity crossfading feature
adjusting the sample start value.
avoiding advanced programming techniques and playing the stock sounds, which sound the best
4
When percussion instruments are damped, they stop vibrating immediately. True or false?
True
False
5
What is the most common method for selecting articulations?
Velocity
Key Switching
Round Robin
Crossfading
6
Why would you use samples instead of real musicians?
To save time and money
All answers are correct
To create a mockup so the director can hear in advance what the music will sound like when performed by a real orchestra
To experiment with new and unfamiliar orchestral textures
7
Choose the best answer. Dynamics create changes in:
tone color, pitch and volume
emotional intensity and volume
emotional intensity, volume and tone color
tone color and volume
8
In Kontakt, where can you add CC#11 control of volume to an instrument?
Wrench icon > Amplifier > Mod tab > Add modulator > External Sources > MIDI CC
Instrument Options > Controller > MIDI Controller range
Mapping Editor > Edit > Auto Map Functions
Wrench icon > Modulation > Mod tab > Add modulator > MIDI CC
9
How can a legato sound be achieved?
Only by using libraries which feature true legato samples
Either with specialty libraries, or by using various programming techniques to "bend the samples to your will"
Lengthening the release time so that the notes bleed into one another
A true legato sound can only be achieved with real players
10
Which velocity response curve should you choose to make a MIDI controller less likely to output high velocity values when playing softly?
Exponential
Hypothetical
Linear
Inverse exponential
11
Which of the following statement is correct?
All other answers are incorrect
Most MIDI controllers on the market do not output the full range of 127 velocity values
All MIDI controllers on the market can output the full range of 127 velocity values
Most MIDI controllers on the market can output the full range of 127 velocity values
12
When working in crossfade mode (Vel.XF) in VSL, velocity has no effect on the sound. True or false?
False
True
13
Which MIDI editor window is particularly useful when applying MIDI realism techniques?
The Score Editor
The Piano Roll Editor
The List Editor
The Hyper Editor
14
Which aspect of sustaining sounds do we have the least amount of control over?
The speed and depth of vibrato
The volume contour of the sustaining part of the sound
The attack characteristics
The release characteristics
15
The factory setting for release time is programmed to exactly emulate the true release characteristics of an instrument. True or false?
True
False
16
In general, the velocity sensitivity of most keyboard controllers:
is not very accurate, but for creating mockups it's not a huge problem
is not consistent between controllers and doesn't translate playing nuances very accurately
is very good but it's usually extremely difficult to achieve very high velocity values
is very good but usually lacks sensitivity when playing very soft notes
17
How can you simulate the missing in-between timbral variation between two sample layers?
Velocity switching
Multi-sampling (Deep-sampling)
EQing
Velocity crossfading
18
A variable Sample Start parameter controllable by a MIDI CC is available:
only on Vienna, EXS-24, and Kontakt instruments
Only in Play, Kontakt, and Embertone plugins
only in certain plug-in instruments
on most sampled instruments, though in some cases the function is hidden
19
Which of the following statement is incorrect?
There is no such thing as "the best" sample library
EQs and Compressors will help you to enhance the realism in your mockups
All sample libraries have expressive limitations
All sample libraries have expressive strengths
20
What is CC#2?
Foot controller
Expression controller
Volume
Breath controller
21
What can you adjust with the CC#11 Expression Controller?
Volume and timbre
It depends on the plug-in/instrument
Volume only
Nothing
22
Round Robin sample programming is used to avoid the machine gun effect by:
ensuring that repeated pitches don't sound precisely the same twices in a row
cycling systematically through a pool of similar-sounding samples but only for repeated pitches
randomly choosing from a pool of alternate takes of recorded samples
artificially altering the pitch and timbre of a sample
23
To achieve MIDI realism, you should avoid using outdated sample libraries. True or false?
False
True
24
It is possible to produce vibrato on an open string on a violin, but it's not always practical. True or false?
True
False
25
The most important attribute of a realistic-sounding mockup is:
making it impossible to tell if it's real or fake
that you're using the latest libraries
writing using ensemble sounds because writing for solo instruments is difficult
to keep your listening audience "in the audience" a majority of the time
Orchestration 301
The MIDI Orchestra - Enhancing Realism
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