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Reason 8 303 - Synthesis Explored.
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  • 1

    The button we press to reveal the “guts” of Thor is: 

  • 2

    In order to see the devices inside of Reason’s Combinator, we need to press the button labeled: 

  • 3

    Velocity refers to how hard we play the note on a keyboard. In Subtractor, this can be applied to: 

  • 4

    Basically, Maelström's Mod A and Mod B sections are:

  • 5

    What are the 4 basic sections of a subtractive synthesizer?

  • 6

    In Reason’s Malström, Mod A and Mod B can be applied in three ways: To Oscillator one, oscillator two, and both oscillators at the same time. True or false?

  • 7

    In Subtractive Synthesis, what are we “subtracting”? 

  • 8

    The _____ controls the volume of the sound over time.

  • 9

    The Modulation Matrix in Thor will let you modulation nearly anything with ______ .

  • 10

    The Sustain parameter sets the:

  • 11

    In a filter, the cutoff frequency is: 

  • 12

    In FM Synthesis, we need two signals. A Carrier signal, and a _______ signal.

  • 13

    For a typical Lead sound, we want the attack on the amplitude envelope to be slow. True or false?

  • 14

    To get to the back of a Reason device, in order to see the routing and cabling, we use the ______ keyboard shortcut.

  • 15

    Two oscillators and two LFOs are available in Subtractor. True or false?

  • 16

    ADSR stands for:

  • 17

    In Subtractor, the velocity can only control the volume. True or false?

  • 18

    In Reason’s Malström, when we don’t select any of the boxes from routing the signal, where does the sound go? 

  • 19

    In a combinator, we can only add 1 effect per device. True or false?

  • 20

    Timbre is:

  • 21

    A very slow attack and release on the Amp Envelope is good to create:

  • 22

    We start Thor’s pattern sequencer by pressing the Run button, with one of three settings: Repeat, 1-Shot, or Step. What does the 1-shot setting do?

  • 23

    In Reason’s Malström, when we turn the Motion knob to the left, we are: 

  • 24

    Which type of filter will attenuate high frequencies?

  • 25

    What type of synthesis are you using if you start with a very rich sound and carve things aways from it to get the sound you want.

Reason 8 303
Synthesis Explored
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