> The video can be seen here: https://youtu.be/S9SQcUxMJ8I Aha—I was picturing something completely different! :-) It looks like what you need to do is perform color corrections for the different hues each time the color wheel changes, and then automate those (gradual) color corrections. This is beyond my limited FCP experience (I'm really an audio guy) but it seems like that should be doable with Keyframing, as per the video below. Obviously the color corrections you'd have to make would be much more drastic that what he does in the example, but it seems like that approach could get the job done. Perhaps if Iain (the course author) notices this thread he might be able to weigh in with some more specific advice..

On the heels of his comprehensive Massive X course, Rishabh Rajan has now added this advanced Massive X course "Designing Massive Sounds", a deep dive into sound design techniques in Native Instruments' popular softsynth. Rishabh creates a wide variety of sounds, from electronic drums and basses to rich pads and leads, and even sound effects—the course is a must-have for aspiring Massive X programmers..

Seeing as it's strictly software I would assume downloadable, as with all their installers..

To bus two or more instrument channel strips in a patch together for group volume control you can create a new (stereo) Aux in the mixer panel, set its input to the next unused bus, and set the outputs of the instrument channels to that bus. (If there's a reverb or other send&return effect included in the patch and you want to control its level along with the level of the instruments, don't forget to route its output to the same Aux as well). If you also want to have a screen control (like a volume pedal) control that Aux level, (create one and) select it in the Workspace and assign it (in the Screen Control Inspector at the bottom) to that Aux > Volume. You could then assign an external controller like a MIDI volume/expression pedal (or a fader or even the modwheel) to that screen control, for live performance. (see the screenshot at bottom) Of course there are other ways to do it, like assigning the Volume faders of the multiple instrument channel strips to the same screen control (by adding additional mappings in the Screen Control Inspector), but the Aux approach seems to be closest to what you seem to be looking for. I don't know what your level of expertise is, but if these aspects of MainStage are unfamiliar, the video below covers the basics of screen control assignments & mapping..

Hi Ricivou - It could be an iOS version issue.. As far as I can determine at one point there was an update to the player that requires iOS 11 or later, so if you're on an older iOS version there may be a version mismatch (also as I understand it Apple at some point stopped updating iOS for the iPad Air 1st Gen beyond iOS 12, FWIW).. I don't have an iPad Air to check this out, so I'd suggest you contact our Support team directly, at this address: https://macprovideo.com/support Make sure to include the iOS version you're running. Support will contact you (via email) within 24 (business) hours, and obviously the tech wizards there have access to the most current information—they should be able to provide you with the best solution..