X Course Advisor FREE Course Advisor
Watch Tutorials
Spotting Audio in After Effects

One definition of "spotting" audio, as used in the film and video editing business, is the process of marking points in an audio track or region that you want to synchronize with visual events in the edit. That could be finding beats in a music track to edit to or identifying visual hit points to line up sound effects to.

Spotting audio in Adobe After Effects is easy, and kind of fun in a nerdy way, once you know how. And here's how:

Step 1 - Reveal the Audio Waveform in the Timeline

Assuming we already have an audio track we want to spot (we're using a brief rhythm track here), roll down the twirly arrow (also known as the 'disclosure triangle' - Ed.) to expose the Properties for the layer with the audio, then roll down the Audio twirly, then the Waveform twirly to show the audio waveform for the layer:

(A shortcut for this is to type LL on the keyboard.)

Step 2 - Preview and Mark the Track

Now, if you're familiar with reading audio waveforms, you could identify the main beats in the track and visually add markers at those points, but a better way is to add the markers in realtime while listening to the track. To do that, first make sure your audio layer is selected in the Timeline; with no layer selected, new markers will be added to the Timeline instead. Next, listen to the track by either doing a RAM preview or an audio-only preview:

RAM Preview: 0 (zero) on keypad (Mac and Windows) or Control-0 (Mac only)

Audio-only Preview (from current time): . (decimal point) on keypad (Mac and Windows) or Control-. (period) (Mac only)

(At this point, I'd recommend the Audio-only preview, because it renders much faster than the full RAM preview.)

Now, listen to the audio track to hear the main beats, and hit * (multiply or asterisk) on your keypad (Mac and Windows) or Control-8 (Mac only) as the audio plays to add layer markers at those beat points:

If you find that your markers are a little off, you can manually drag them to relocate them. And you also may find it helpful to scrub or manually drag through the audio to audibly locate hit points. To manually scrub audio, hold down Ctrl (Win) or Command (Mac) and drag the Current Time Indicator above the Timeline. With a little practice, you get used to the way the scrubbed audio sounds and can easily identify your hit points.

Now that you have your markers in place, you can use them to sync up animation keyframes or other visual events with your audio.

Check out After Effects 101 tutorial much more!

Richard Lainhart

Richard Lainhart | Articles by this author

Richard Lainhart is an award-winning composer, filmmaker, and author. His compositions have been performed in the US, Europe Asia, and Australia, and recordings of his music have appeared on the Periodic Music, Vacant Lot, XI Records, Airglow Music, Tobira Records, Infrequency, VICMOD, and ExOvo labels. His animations and short films have been shown in festivals in the US, Europe, and Asia, and online at ResFest, The New Venue, The Bitscreen, and Streaming Cinema 2.0. He has authored over a dozen technical manuals for music and video hardware and software, served as Contributing Editor for Interactivity and 3D Design Magazines, and contributed to books on digital media production published by IDG, Peachpit Press, McGraw Hill, and Miller Freeman Books. Previously an Adobe Certified Expert in After Effects and Premiere, a demo artist for Adobe Systems, and co-founder of the official New York City After Effects User Group, he was, from 2000-2009, Technical Director for Total Training Productions, an innovative digital media training company based in New York and California.


You must be logged in to post a comment.
Create an Account  Login Now

What is macProVideo.com?

macProVideo.com is an online education community featuring Tutorial-Videos & Training for popular Audio & Video Applications including Adobe CS, Logic Studio, Final Cut Studio, and more.
© 2018 macProVideo.com
a division of NonLinear Educating Inc.