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Create Beautiful Metallic Textures In Photoshop

In this quick Photoshop tip I’m going to show you how to go about making the foundation for realistic looking shiny metal textures. The technique is pretty simple and has a multitude of applications and variations.

Working with textures in 3D applications has really helped me to think differently when making textured materials in Photoshop, especially metal. Shiny metal materials have one distinct property, they reflect stuff! That’s what makes them appear shiny! So, if you want to give the illusion that something is reflective you need to start with a reflection.


Step 1

So I’ve got this image of a warehouse interior from a Google search. This is the image I want to reflect in my metal material.

image of warehouse interior


Step 2

I’m going to convert it to 16-bit color by going to Image > Mode > 16bits. This will help reduce banding artifacts in the next step which is to Blur the image.

For this example I’m going to make a brushed metal look. Because brushed metal surfaces are rough it means the reflection will be very blurred. The more polished you want the metal the less you will blur the image (see later example).

Here I’m applying a Gausian Blur at about 74px.

Applying gaussian blur


Step 3

Now I’m going to apply some color correction with a Curves adjustment layer. Using the individual color channels I can radically change the image; you can see I’ve pulled a lot of red out of it using the Red curves channel. Just this simple adjustment makes the image even more metallic.

Pulling the red out of the image


Step 4

Next up I’m going to increase the overall brightness with an Exposure adjustment layer.

Increasing the overall brightness


Step 5

Next up is the brushed effect. This is a tried and tested technique. Firstly create a new layer and fill with White and add a large amount of noise using Effect > Add Noise.

Adding noise


Next use Effect > Motion Blur to create the brushed look:

Adding motion blur


Then Transform the layer using Command-T (Ctrl-T on Windows) to get rid of the un-blurred edges by stretching it horizontally.

Getting rid of the edges


Step 6 

This next bit is where you can get a lot of bang for your buck. By trying out different blending modes and opacity levels on the brushed layer you can create many different variations on the effect. I’ve set the opacity to 32% and here are some examples of various Blending Modes:

Blending mode 1


Blending mode 2


Blending mode 3


Step 7

Once you're happy, merge all your layers to a new layer by selecting them and pressing Command-Option-E (Ctrl-Alt-E on Windows). 

Merge all layers


Step 8

From here on in you can use the texture as you wish. I’m just going to clip the texture to some text. Just type some text and drop it below the merged texture layer and Option- (or Alt-) click between the layers.

clipping the texture to text


Step 9

Lastly a bit of Bevel and Emboss on the text layer.

Bevel and emboss


Here’s the finished metal effect: 

The finished metallic effect


Step 10 - Other Effects

Like I said earlier the amount of blur can give you a different amount of reflectiveness. Here’s the same image blurred by 6px and then processed with the Glass effect. 

glass effect


Here’s the result on the same text. I’ve just moved the clipped image till I got a result I liked.

Metallic glass effect on text


Hope you found this useful. Try it out on your own projects in Adobe Photoshop CS5.

Also, check out the newly released Photoshop tutorial on lighting and effects:

Toby Pitman

Toby Pitman | Articles by this author

For the past 20 years Toby has worked as a professional guitarist, programmer and producer. Clients include Sir Paul McCartney, George Michael, Shirley Bassey, Yusuf Islam, Giles Martin as well as the London 2012 Olympic Ceremonies. He has also worked extensively in TV, Advertising and Film. As well as composing himself he has also worked alongside many composers like David Arnold, Clint Mansell and Simon Franglen on many major film releases. An expert in synthesis and sound design Toby has also lectured for Apple on their Logic Pro music software which he has used since its days on the Atari. He has also worked as an educator for the International Guitar Foundation and the Brighton Institute of Modern Music teaching guitar. In his spare time (of which there is very little) he moonlights as a motion graphics artist specialising in Cinema 4D and After Effects.

Comments

Sep 12, 2011
i want to see how is works have seen it on my friends laptop so i want to try it too.thanks
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