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在After Effects中的基本颜色校正


(如果你想跟着做,你可以下载这个从剪辑Prelinger档案 ,免费的公共领域和风景许可电影的一个巨大的资源库。这种特殊的电影可以在这里,我建议你下载的MPEG4版本。)

Color correction - the art of changing hue and luminance in film and video footage to match other footage or fix production problems - is a deep subject, and After Effects has some deep tools, including Synthetic Aperture's Color Finesse 3, which we'll look at in detail at another time. But there are many simpler tools available in After Effects too, so let's get started.

第1步 - 导入的电影,并设置了比赛

因此,导入的剪辑,将其拖动到新的压缩机按钮,并修剪比赛 - 我们要使用本教程的前10秒的剪辑:

预览比赛,和注意的镜头颜色会发生变化几次,由于胶片坏,坏的数字传输,并可能是坏的压缩, 以及(还要注意坏的口音 。)


第3步 - 以帧的快照

Click the Snapshot button at the bottom of the Comp window to put that frame in memory so we can recall it later:

第4步 - 应用颜色平衡



第5步 - 继续修正



Richard Lainhart

Richard Lainhart | Articles by this author

Richard Lainhart is an award-winning composer, filmmaker, and author. His compositions have been performed in the US, Europe Asia, and Australia, and recordings of his music have appeared on the Periodic Music, Vacant Lot, XI Records, Airglow Music, Tobira Records, Infrequency, VICMOD, and ExOvo labels. His animations and short films have been shown in festivals in the US, Europe, and Asia, and online at ResFest, The New Venue, The Bitscreen, and Streaming Cinema 2.0. He has authored over a dozen technical manuals for music and video hardware and software, served as Contributing Editor for Interactivity and 3D Design Magazines, and contributed to books on digital media production published by IDG, Peachpit Press, McGraw Hill, and Miller Freeman Books. Previously an Adobe Certified Expert in After Effects and Premiere, a demo artist for Adobe Systems, and co-founder of the official New York City After Effects User Group, he was, from 2000-2009, Technical Director for Total Training Productions, an innovative digital media training company based in New York and California.


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