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在After Effects中的基本颜色校正
翻译谷歌翻译

确定,这家伙呢?我不知道,但我不认为他是真正的意大利。不过,他是在帮助向您介绍最基本的色彩校正工具。

(如果你想跟着做,你可以下载这个从剪辑Prelinger档案 ,免费的公共领域和风景许可电影的一个巨大的资源库。这种特殊的电影可以在这里,我建议你下载的MPEG4版本。)

Color correction - the art of changing hue and luminance in film and video footage to match other footage or fix production problems - is a deep subject, and After Effects has some deep tools, including Synthetic Aperture's Color Finesse 3, which we'll look at in detail at another time. But there are many simpler tools available in After Effects too, so let's get started.

第1步 - 导入的电影,并设置了比赛

因此,导入的剪辑,将其拖动到新的压缩机按钮,并修剪比赛 - 我们要使用本教程的前10秒的剪辑:

预览比赛,和注意的镜头颜色会发生变化几次,由于胶片坏,坏的数字传输,并可能是坏的压缩, 以及(还要注意坏的口音 。)

这给了我们一些视觉匹配其余的剪辑。

第3步 - 以帧的快照

Click the Snapshot button at the bottom of the Comp window to put that frame in memory so we can recall it later:

第4步 - 应用颜色平衡

随着层选择,选择的影响

调整阴影(暗区),中间色调和高光(明亮区域)平衡值在两个镜头尽可能多的匹配颜色的车,只要有必要参考一下显示快照“按钮。开始,我建议像这样:

第5步 - 继续修正

向前迈进的下一个主要的颜色改变,并重新调整平衡值直到剪辑的颜色相匹配,尽可能参照系颜色。继续这样做,直到整个剪辑为均匀的颜色尽可能相匹配您参考。你可能需要回到你的主要颜色改变区之间和值之间的调整,以弥补早期和后的颜色变化。继续这样做,记住经常检查您的参考帧的快照,直到剪辑,色彩校正,让您满意,像这样:

,影响训练后可以在这里!

Richard Lainhart

Richard Lainhart | Articles by this author

Richard Lainhart is an award-winning composer, filmmaker, and author. His compositions have been performed in the US, Europe Asia, and Australia, and recordings of his music have appeared on the Periodic Music, Vacant Lot, XI Records, Airglow Music, Tobira Records, Infrequency, VICMOD, and ExOvo labels. His animations and short films have been shown in festivals in the US, Europe, and Asia, and online at ResFest, The New Venue, The Bitscreen, and Streaming Cinema 2.0. He has authored over a dozen technical manuals for music and video hardware and software, served as Contributing Editor for Interactivity and 3D Design Magazines, and contributed to books on digital media production published by IDG, Peachpit Press, McGraw Hill, and Miller Freeman Books. Previously an Adobe Certified Expert in After Effects and Premiere, a demo artist for Adobe Systems, and co-founder of the official New York City After Effects User Group, he was, from 2000-2009, Technical Director for Total Training Productions, an innovative digital media training company based in New York and California.

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