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FCP的X和的Adobe,第4部首映:交叉淡入淡出音效
翻译谷歌翻译

强大的编辑要求可能比其他任何一件事:伟大的音频。


FCP X步骤1 -

打开剪辑外观“按钮,从选项中选择第二个按钮。

Clip Appearance


这使得在时间轴的音频更加重视。

Expanded audio


现在,在时间轴的剪辑中的音频更为明显,所以更容易编辑。


FCP的X步骤2 - 音频监控助理

点击码显示在仪表板中,激活FCPX的音频平方米的权利。

Dashboard


音频米的声级的视觉监测与帮助。为了进一步帮助可听声级监测,请尝试关闭按Shift - S的音频洗涤。这将保持分心到最低限度。


FCP X步骤3 - 创建一个交叉淡入淡出

创建拖动点的音频从第二个剪辑背到第一个由约2秒,重叠。磁性的时间表确实有助于在这里拖到另一个剪辑创建一个重叠是不是大多数编辑软件包将允许。然而,在FCP的X音频碰撞避免视音频将自动向下移动到另一个“轨道”。

The selected clip and handles


选择在即将卸任的项目时间表剪辑。从右上角选定的剪辑,抓住手柄,将其拖动到左边(剪辑成)。

Audio Fade


此操作将创建传出的音频淡入淡出。手柄的长度决定淡入淡出的长度(使用Soundtrack Pro的工作的人,会觉得很熟悉)。

Second fade


重复传入的剪辑音频淡入淡出。


FCP X步骤4 - 选择淡入淡出风格

右键单击音频淡入淡出处理,并从弹出窗口中选择一种类型的褪色。在4个选项中,对数的FCP X的默认。

Fade Style options


重复这个动作都变淡。然后 Shift - /


FCP X步骤5 - 删除交叉淡入淡出

要删除一个交叉淡入淡出,再次抢交叉淡入淡出处理,并将其拖到剪辑的开始/结束。这两个片段。

Crossfade gone!


Premiere Pro中

点击的序列时间轴披露,以扩大其观点和揭示各级每个音轨旁边的箭头:

Premiere's Audio Levels


下一组音轨显示样式显示波形

Show waveform


首映步骤2 - 创建一个音频重叠

要创建一个音频重叠抢第二个剪辑音轨,并将其拖到音轨2。然后使用修剪处理扩大的片段,并创建一个重叠。

Overlap


第3步 - 添加音频淡入

打开效果面板,然后导航到音频转换和交叉淡入淡出文件夹。

Effects Folders


选择有3种类型的交叉淡入淡出:恒定增益,恒功率和指数淡出。选择恒功率。

Crossfade added to out


拖动恒功率交叉淡入淡出,并在第一音频剪辑出点地方。紫色标记出现在剪辑:这是第一次交叉淡入淡出。


首映第4步 - 修改交叉淡入淡出

要更改抢一端的交叉淡入淡出的时间,并拖动它,直到它所需的长度。

Drag length


一个更优雅的选择,双单击紫音频交叉淡入淡出,并打开了效果控制面板:

Duration in Effects Control

交叉淡入淡出时间是橙色的工期时间码显示。单击时间码并键入所需的时间,而不是。


首映

从另一个恒功率交叉淡入淡出效果面板拖动其头部添加了类似的交叉淡入淡出的第二个剪辑的音频的开始。调整到所需的长度,此时拖动到右边。

Second crossfade


播放的顺序,听到的交叉淡入淡出。

提示:Premiere Pro中没有默认的快捷周围玩“,但你可以指定一个自己使用键盘自定义工具。


第6步 - 删除交叉淡入淡出

选择时间轴中的紫色交叉淡入淡出一个,然后按删除”,重复这两个交叉淡入淡出。

Crossfade gone


正如你可以看到这两个应用程序有一个类似的工作流程。 Final Cut Pro中X的磁性时间轴可能给它的优势,但是在这个特殊的实例。


了解与全方位的FCP X教程在这里


David Smith

David Smith | Articles by this author

David Smith is Scotland's most qualified Apple and Adobe certified trainer. Having completed his education at Edinburgh College of Art's BAFTA winning Film School, David moved straight into TV production, first as a Vision Mixer then quickly becoming, at the age of just 24, a director of live TV studio productions. In 2001 he moved into Higher Education where he became a lecturer in TV Production, specializing in post-production and live studio production. During this time, and working with the support of the BBC, Channel 4 and independent production companies, David was instrumental in the design, development and implementation of industry-approved vocational courses across Scotland's Colleges. In 2006, after working closely with Apple Computers to create a unique multimedia studio for education at the Music and Media Centre in Perth, David became Scotland's first Apple-Certified Trainer for Pro Apps. This led on to David forming the first Apple Authorized Training Centre for Education, north of Manchester. In 2008 David made the move to full time training and joined the ranks at Academy Class, Ltd. where he continues to train industry professionals as a certified trainer across the Adobe Creative Suite and Apple Pro Apps range.

Comments

Oct 11, 2011
funwithstuff
Good to see a comparison.

Another FCP X method: use Motion to create a new Transition. Change nothing, but simply Save as "Audio-only Transition". Launch FCP X. Apply the transition where needed.

There will be no visual transition, but the audio will crossfade, and the style and length of the crossfade can be adjusted.
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