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FCP X VS的Ado​​be Premiere Pro的,第2部分:编辑

让我们继续进行比较和对比的工作流程的Final Cut Pro X 的Adobe Premiere Pro的 CS5.5 。这一次,我们将看看在编辑工作流程。这是一个很大的学科领域,我承认你,所以我会缩小,倒有几分比较基本的编辑时间轴工作流程。

第1步 - 标记点和出点

Premiere Pro中:首映枝硬盘和快速与更传统的方法或标记在Source窗口中,用常规的播放空间,京客隆或屏幕上的控制,如控制。如果你是一个真正的匆忙,你也可以通过录像擦洗来回拖动Source窗口中的播放头,虽然这是不太准确。

The preview window


可以使用的标记和标记屏幕上的按钮或在I和 O键的按下和输出分别标记点和出点。

Premier marked clip

FCP:Final Cut中还依赖于传统的空间 ,如京客隆和屏幕上的控制方法。 FCP的X还提供了一个新的导航所谓略读的方法。它类似于擦洗,但是它的滑动光标沿事件浏览器中的剪辑,所以没有选择或拖动参与。

Event Browser


FCPX点和出标志也略有不同。 I和 O键功能相同,但有没有可用的按钮。相反,当您单击并拖动你通过镜头出现脱脂,黄色范围选择表明您标记的地区。

FCP Marked Clip


第2步 - 选择目的地轨道

Premiere Pro的编辑点应设置在序列。如果没有设置编辑点,然后播放头的位置将被用来作为一个点。


Premier Sequence in point



Premiere Source/Destination Tracks



Premiere Inserted Clip


第3步 - 编辑剪辑时间轴

Premiere Pro中:


Premiere Overlaid Clip



FCP Insert/Append buttons



FCP Appended Edit




插入编辑的方法是使用事件浏览器插入到故事情节显着,推动现有的媒体,以及以同样的方式,使空间,因为它在Premiere Pro剪辑。然而,FCP的X使用只播放头或分离器的位置设置一个点。


FCP Inserted Edit


正如你可以看到这两个应用程序都使用类似的工具,但有时在非常不同的方式。无论您是FCP的X '小号编辑革命的风扇或强硬的传统主义支持者的Adobe Premiere Pro(或像我一样,同时享受),最终的结果是相同的,最重要的事情后,所有的编辑本身是。

David Smith

David Smith | Articles by this author

David Smith is Scotland's most qualified Apple and Adobe certified trainer. Having completed his education at Edinburgh College of Art's BAFTA winning Film School, David moved straight into TV production, first as a Vision Mixer then quickly becoming, at the age of just 24, a director of live TV studio productions. In 2001 he moved into Higher Education where he became a lecturer in TV Production, specializing in post-production and live studio production. During this time, and working with the support of the BBC, Channel 4 and independent production companies, David was instrumental in the design, development and implementation of industry-approved vocational courses across Scotland's Colleges. In 2006, after working closely with Apple Computers to create a unique multimedia studio for education at the Music and Media Centre in Perth, David became Scotland's first Apple-Certified Trainer for Pro Apps. This led on to David forming the first Apple Authorized Training Centre for Education, north of Manchester. In 2008 David made the move to full time training and joined the ranks at Academy Class, Ltd. where he continues to train industry professionals as a certified trainer across the Adobe Creative Suite and Apple Pro Apps range.


Oct 26, 2011
It is VERY wrong to not include Connected clips, as that is the alternative to tracks. It is also wrong to state there is no overwrite, as ther very much is, and it is very flexible and easy.
Oct 26, 2011
David Smith
I'm glad your a fan of FCPX Ben, but like I said at the start, it's a big subject and a limited space to write in. I'll be covering Connections in another article don't worry.
As for Overwrite, I did mention it but I didn't go into detail as its not a primary editing function anymore in my opinion. Though it is very simple I agree.
Oct 28, 2011
After editing with FCPX for 3 months now I can tell you that not having tracks that I can control has become very time consuming because this timeline has elements jumping all over the place. There are times when I can drag a transition across the timeline and randomly another element will snag it, copy it and paste it to itself. I have list 3 pages long of weird stuff that happens when editing in FCPX. The Magnetic Timeline will not last among any editors who really want to speed up the the workflow! Deleting one element can delete more if not all of the project at Times.
Oct 29, 2011
David Smith
If you're using a lot of storylines you might find consolidating them useful (similar to nesting). As for your other issues I havent heard of those before. Sounds like yours might be a bit buggy. Remember this is only version 1. With only the first update done, so like most apps it's not 100% fixed yet I doubt. Have you reported the issues to Apple? Maybe Ben has heard of some of them?
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