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5 Ways to Get a Bigger Bass for Your Mixes
Everyone is after a great bass sound for their tracks. Here, Hollin Jones shares 5 of his pro tips for making the bottom end nice and fat.
Feb. 21, 2021
Spectrasonics Releases Trilian 1.5, Improved Arpeggiator, Synthesis Features & More
Trilian 1.5 is a major free update with expanded features, new patches and more for Spectrasonics' award-winning bass module synthesizer instrument.
Nov. 13, 2020
Review: Wave Alchemy BASSYNTH
Wave Alchemy's latest release is BASSYNTH, a powerful 12GB monster that aims to cover all your bass needs and more. Hollin Jones got down and dirty with it...
Aug. 29, 2019
Future Audio Workshop Releases SubLab, 808-Style Bass Synth With Intro Pricing Available
Get the classic sound of the 808 along with a whole world of sound tweaking tools and features with this new bass softsynth, which is discounted for a limited time only.
Jun. 5, 2019
Updated Genelec F Series Subwoofers Deliver '˜No- Compromise' Performance
Genelec will be introducing the new F Series subwoofers in mid-May 2019. In the meantime you can find out what design and performance features make them "no compromise" units.
May. 6, 2019
Loopmasters Bass Master, A Plugin Instrument Dedicated To Bass
The new Bass Master synth plugin features dual layers and choices from 217 waveforms per layer for some classic and experimental bass sounds.
Jul. 1, 2018
How To Design A Punchy Sub Bass In Under 4 Minutes
Use this quick technique in any software or hardware synth to create a deep sub bass that can lend weight to the bottom end of your productions.
Jun. 20, 2018
Review: Rob Papen SubBoomBass 2
A longtime studio favorite among producers of all manner of electronic styles '" from hip hop to techno and everything in between '" Rob Papen's Subboombass gets a much-anticipated refresh.
Feb. 9, 2018
Watch How iZotope Neutron's Mask Helps When Mixing Sub Bass & Kick That Clashes
Watch iZotope's Neutron in action. This AskAudio Mixing & Mastering MasterClass features Lead Product Specialist Evan Allen mixing a Track with Neutron.
Nov. 9, 2016
Review: Output SUBSTANCE
Output's instruments are known for being unique, and now they've focused their attention on bass. But will the earth move?
Sep. 20, 2016
Review: SubPac M2, Wearable Sub-Bass Audio System
The SubPac M2 has been getting lots of attention and with good reason. Forget the concept of listening to weak bass in your headphones, The SubPac M2 let's you experience deep bass in your body.
Mar. 2, 2016
SubPac M2 Is A Wearable Tactile Audio System That Immerses The Body In Sound
We often talk about being "immersed" in music, and now SubPac have a new wearable version of their tactile system which literally lets you feel the bass and the music in your body.
Oct. 17, 2015
FM Synthesis Sound Design Tips for Ableton Live Operator
With a little knowledge of FM synthesis you can create sounds you may not have imagined possible. Noah Pred shows how to make huge bass tones, textured pads, rises and more in Ableton Live's Operator.
Aug. 5, 2015
Review: Rob Papen SubBoomBass
Looking for an instrument to give you that satisfying low-end your tracks are begging for? Hollin Jones checks out SubBoomBass and gets more than he bargained for.
Sep. 5, 2013
Reducing Stereo Width For Focused Bass Sounds
Is your bass a bit muddy? Spreading over the left and right channels in an unwanted way? Mo Volans comes to your rescue in this tip on how to reduce the stereo width of that untamed bass in your mixes
Feb. 16, 2013
Adding Bottom End to your Bass: Part 2
In Part 2 of this Extra Bass series Mike Watkinson demonstrates how to use a simple sine wave generated by the EXS24 to add sub-harmonic content in a controllable way.
Aug. 2, 2011
Add Bottom End to your Bass in Logic Pro - Part 1
If a kick drum has no bottom end then it is a reasonably straightforward process to add more using a sine tone generator and noise gate. For a pitched bass part such as bass guitar, where the recorded
Jun. 7, 2011
Creating Fatter Bass with Logic's SubBass plug-in
Occasionally you might want to use a sound in a mix that just lacks some low end punch. In some cases traditional equalization will do the trick and adding a small amount of low end will get the job d
Feb. 8, 2011
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