Welcome to part 2 in this series on music production techniques. Think of these as essential audio concepts every self-respecting producer should know! Let's continue with Modulation effects.
It's time to take control of your synths and sampler instruments in Logic Pro X! Darren Burgos shows how to use the routing options in ES2 and EXS24 for interesting sonic manipulation.
What is modulation? How can you make use of it in your musical compositions? The late and great Richard Lainhart wrote this piece for AskAudio Mag which explores modulation in Logic Pro.
Will Waldorf's 2 Pole analog filter give you more warmth than your average plug-in? Are its modulation options flexible for any studio integration? Mo Volans finds out in this review with video.
It's no surprise that one of the most impressive software synths ever, Omnisphere, is from Spectrasonics. David Earl delves into its modulation areas and shares some timely tips.
Want to create that wobble effect, or learn how to use modulation for a host of other musical needs? David Earl, aka. SFLogicNinja, who's how in Native Instruments Massive.
When it comes to modulating or'¦ shaving (sic) your sounds into the perfect shape, reach for (NI's) Razor. G W Childs explores Razor's unique internal sidechain to create cutting edge sounds.
Your hi-hat patterns can make or break a beat. Well-constructed hat patterns can make a stale beat groove. It can take a stagnant beat and turn it into a groove monster. I have found by adding modulat
As any audio engineer will tell you these days, automation in a Digital Audio Workstation is the greatest thing since sliced bread. Back in the old days, on an analog SSL console you would have to rid